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My experience of the "Matisse Picasso Exhibit" at the Museum of Modern Art (MOMA) was significantly educational and interesting. The exhibit consisted of 1
works mostly top drawer paintings, drawings, and sculptures, 67 by Picasso and 66 by
Matisse. "Mounting the exhibit was a massive undertaking in itself finding just the right
Matisse to pair with just the right Picasso, to show how the two developed separately and
Buy custom Mattise VS Picasso term paper
together, exploring what seems at times like an elaborate clandestine collaboration, at
other times like out and out war". Throughout this paper I will be comparing and
contrasting one work from each artist, which I have chosen Henri Matisse's "Music"
and Pablo Picasso's "Serenade". Each piece is alike and different in many ways.
Henri Matisse's, "Music" (1) Oil on canvas 45 /8 x 45 /8 painted in the
days of war but shows no hints of troubles, bringing joy and happiness to the
viewer. Matisse as a follower of the Expressionism used bold bright colors, simplified
shapes, careless depiction of figures, thus emphasizing inner feelings and emotions over objective views. In the picture I see two figures in a room possibly on a balcony or by a
window relaxing in peace, one plays guitar while the other sits and enjoys. "Music is divided into four distinct areas the organic upper band; the spiky middle right quadrant
with the larger figure; the griddled zone to the left with the smaller figure; and the still-life
zone in front". In the background there are organic plant-like forms in bold green
upon black which might be viewed as actual trees outside at night, or a painting on a wall.
The mid ground consists of two women sitting. Even though the woman playing guitar positioned on sofa is larger than the women in the chair on the left, she seems to be closer to
the viewer. By looking closer at the picture we realize that the chair overlaps the sofa making
the smaller woman to be closer. Both women are dressed very simply and have similar hairstyles. In the foreground closest to the viewer is an uplifted table with an apple and music notes on top. Being a two-dimensional painting there is not much depth. Depth is shown by overlapping and vertical lines, there is no modeling.
Pablo Picasso's "Serenade" (14), oil on canvas 76 ¾ x 104 /8 shares the
theme of music but the images are dark and gloomy. Picasso uses cubism techniques
which are emphasizing structure, limiting colors to neutrals, using geometric forms,
interlocking figures and ground, showing objects as the mind rather than the eye perceives
them. "The two figures in the picture have been identified as Picasso's former
and current lovers; displaying the pain of his own domestic drama, Picasso was clearly
the more overtly autobiographical artist" . In this picture I see two naked, abstracted,
figures, resembling women but with goblin-like characteristics, in a dark room. Each
seems to be wearing a mask and enchanted by the other, one sitting playing a mandolin
the other laying down and staring into space. One gets a spooky and an eerie feeling by
looking at Serenade. As if one is being stared at by morbid masks and hearing the sound
of hypnotic music luring them deeper into the picture plane. In the background stands a wall; against it in the mid ground is a figure lying on a bed. The foreground is occupied by the figure playing a mandolin on the right and a geometrical form on the left, possibly a book. The picture plane is extremely flat indicating that this is a two-dimensional painting with no modeling; depth is shown by vertical lines and overlapping. With so little depth each figure seems to be right in the viewers face entwining their mind with voodoo like elements, taken hold of their staring eyes with no escape.
Music by Matisse is an asymmetrical painting, shapes and color help to balance
and unify this work. Figures are un-proportioned, viewed larger and abstracted but human
characteristics remain present. The long ovular leaves are in balance with the arms of
each figure, the legs of the women on the left, and the woman's feet on the right.
Gridlines run along the wall shown from middle to lower left and at the right bottom
corner. Repetition of jagged triangular patterns on the couch and at the bottom of the
guitarist's pants are in harmony showing a constant rhythm between each; both associated
with the guitarist, as if one can almost hear the music being played. Music notes resemble a
pattern found on the bottom of the couch. The couch, table, music book, and brick wall,
all resemble a square or rectangular shape. Finally, the last of shapes, circles, such as used
for the woman's breasts, the hole in guitar, and the apple, help unite and bring together all
four distinct areas. Color plays an especially important role in Music as well as shape and
lines. All colors in the picture seem to be painted upwards toward the objects, leaving white highlights around them. "Matisse's line is yielding; it seems to accept the mysterious need of shapes and colors to seek their proper place and proportion. His contours are like the borders of wetness left by the waves on a beach". The edges of objects are dull and blurry causing our eyes to pick up on the outlined objects. The figures, guitar, couch, chair, music book and plant life are all outlined in black while the brick wall, table and apple are outlined by abutting colors. The plant life, table, bottom and arm of couch are all monochromatic shades of green. Complementary to the green is the red of the couch, brick wall and apple, which dull each other so the viewer is not overwhelmed with one. The yellow of the figure sitting, guitar, and triangular pattern on the guitarist's pants are in contrast with the blue of the outfit of the guitarist. The guitarist blue outfit stands out against the red and yellow shades indicating this is the important figure in the painting. The blue in the guitarists outfit is balanced by the green of the painting which is an analogous color to blue. Finally, black helps to unite the painting
brining each piece together from the background to the music notes, the guitar neck and
the chair, the hair and facial characteristics of each figure, and their outlines. We see in
music shape and color together play a considerable role of unity and balance bringing
together a masterpiece.
Serenade by Picasso is also an asymmetrical painting. Shapes and color help to
balance and unify this piece as well but in a much different way. Shapes are geometric
and unrealistic, distorting the figures and picture plane. The two figures are unified with
a number of abstract geometric shapes from triangles to quadrilaterals, to rounded forms
with sharp corners. The circular shapes prevent the figures from mixing with the
background and the foreground. Similar lines help to unite each figure and display in harmony
two parallel lines on each of there noses, contour lines depicting strands of hair, figure laying
down has toes which relate to the fingers of the mandolin player, eyes, nipples, belly buttons,
ear and the instruments hole all seem to be staring at you and staring back at each other
resembling facial characteristics when united with the geometric forms in surrounding area.
The floor, walls, ceiling, chair, couch and figures all have repeated triangular and quadrilateral
shapes all blending and shifting planes together. One can't help wondering as for the presence
of which character is emphasized the most in the picture. To answer this question let us
examine the colors that balance and unite Serenade. A deep and dark greenish, gray brown hue
vary in value and intensity remaining constant throughout the walls, ceiling, chair, floor,
and parts of the bed, depicting monochromatic colors. The mandolin player and figure
lying down are shown in complementary colors suggesting that both characters are of the
same importance. The mandolin player is painted in a purple hue with various values and
intensity separating each geometric form. The green of her hair stand out from the dark green
background but is united by the yellow green tint of the mandolin. Each geometric shape that
constitutes the figure laying down is painted in a different hue of yellow and seems to catch the viewer's eye dramatically but is balanced by dulling specific shapes with its complementary color- purple. The bright vibrant colors and geometric shapes, which make up each figure play mind boggling games with the viewer's perspective in ways so entertaining one can gaze and analyze forever.
To come to the conclusion, I would like to mention that both Matisse and Picasso paid their dues to modern culture in their unique ways, making us reflect on how we think about art. The exhibit itself helped me to understand how each artist grew, reacted, responded, and learned from each other. Looking at all their masterpieces I couldn't help noticing the ideas they borrowed from each other and the way they applied them in their works. To confirm my observations I would like to cite the mastermind himself. As Picasso said once "No one has ever looked at Matisse's paintings more carefully than I; and no one has looked at mine more carefully than he."
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