Sexuality, Repression, and Power

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Sexuality, its repression, and the power responsible for this repression are the central themes in Michel Foucault's History of Sexuality. Sexuality, according to Foucault, is a repressed entity in modern society, and has been so for the past two hundred years. The sexual openness once common in the seventeenth and eighteenth centuries became carefully confined and "moved into the home…silence became the rule." (page ) Though he believes that we are repressed he advocates that we have been forced into this repression by some form of power we have been made to believe that we are repressed. Personally, I do not think that Western societies today are repressed in any sense of the word. In all aspects of life whether it is on TV, in the movies, in the songs we listen to, in the books we read, in the advertisements we see, or just in public sex and sexuality are prominently displayed. I think it is fair to go as far as to say that nowadays very little sells without sex or anything sexual.

Foucault believes that the repression of sexuality was established by some kind of authority, which included the government and heads of families. This authority used its power to ensure that "not only did [sex] not exist, it had no right to exist and would be made to disappear upon its least manifestation." (page 4) This is not to say that sex was not acknowledged at all; it was, but mostly only for reproductive purposes. In addition, concessions were made for "illegitimate sexualities" (page 4), which included brothels and mental hospitals. According to Foucault, in light of this power advocating repression, any talk or action pertaining to sexuality was seen as a defiance of power, a "deliberate transgression." (page 6) Any person taking part in this infringement "places himself…outside the reach of power; he upsets established law." (page 6)

Although the leap into sexual frankness may have been a result of disregard for power, it has now become the norm. There is no longer any power which requires challenging. Nowadays, people, in general, have no problems with openly expressing their sexuality and, at times, do so even if it is highly inappropriate. If ours was a repressed society, we would not hear about pregnant 1 year olds; we would not have easily-accessible pornographic material; we would not see barely-clad Victoria Secret's models; TV shows and movies would not have prevalent sexual scenes; people wouldn't go around displaying affection in public. The extent to which Western societies have integrated sexuality into their everyday lives is evidence enough that any previous power repressing sexuality is definitely either non-existent or on its way to becoming so. Despite evidence to the contrary, a lot of people still think that our society is repressed.

These people believe that since there are certain rules or limitations against doing particular things, society is sexually repressed. A lady gets asked to leave a restaurant because she is breast-feeding her child while waiting for her food to arrive. Immediately there is talk of our society being sexually repressed; that sexuality is not accepted. There are some things are not appropriate to do in certain places. I personally would not breast-feed my child in public, and not because I am repressed or I feel that people will judge me if I do, but because I feel that some things are just not proper if carried out in public. If I was stuck and had to feed my child and I was out somewhere, I would find a place that was sparsely populated, and only because I would not feel comfortable baring myself to others. I don't think that a woman who chooses not to breast-feed in public is prudish; there is a just proper place for everything.

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Foucault believed that society's position on repression was a hypocritical one since he considers that there has always been discourse on sexuality, and that this verbalization in itself thwarts the whole idea of repression. He says his aim is to "examine the case of a society which has been loudly castigating itself for hypocrisy for more than a century, which speaks verbosely of its own silence, takes great pains to relate in detail the things it does not say, denounces the powers it exercises, and promises to liberate itself from the very laws that have made it function" (page 8). Despite the fact that this was what he thought about society's take on repression, Foucault did believe that we, as a society, believe we are repressed sexually. He believed that the relationship between sex and power is characterized by repression and that to not think so was to "[run] counter to a well-accepted argument." (page 8) He believes that repression is firmly anchored in our society and that to overcome the power that enforces it will take a long time; talking about and accepting sex in its reality is such an alien concept historically, that "it is bound to make little headway for a long time before succeeding in its mission." (page 10) He couldn't have been more wrong!

Writing this is 178, Foucault may have felt that society was repressed and that getting to a society in which sex was openly discussed and prevalent was going to be a major feat. However, it seems like overcoming 'repression' wasn't such a conquest after all since sex is now a firm and much accepted presence in everyday life. It doesn't seem like there were any major obstacles to overcome to get to where we are today it was just a natural progression from where we were before. Sexuality (not the reproductive kind) has always been a part of society, and has just progressed from being something that was not very prevalent to something that has become very common.

Despite what he refers to as the repressive hypothesis, Foucault does believe that talk of sex has become more widespread, but he feels that it has progressed mostly as a means to gather more knowledge about it as a form of science. It is true that knowledge about sex has increased dramatically, and that is due to the fact that the subject has been approached with a scientifically, biologically and psychologically; however, other, non-scientific factors, especially forms of media entertainment, have also furthered our acceptance of sex, and these have probably played a larger role in establishing sexuality in Western societies. However, he doesn't believe that we have made sex more established in our societies because we wanted to; he thinks that it came about due to our repression of the repression.

According to Foucault, "one adjusts [the time repression began] to coincide with the development of capitalism." (page 5) This gives the impression that sex is severely restricted, not because society wants it that way, but because it is "incompatible with a general and intensive work imperative." (page 6) This means that we did not want to show that we are repressed and hence tried to cover it up by making is seem like that is the way it had to be. So mentioning sex gave the impression that talking about it was not out of the ordinary and hence this caused the surge in our knowledge about sexuality. This is another way in which Foucault believes society to be hypocritical. Personally, I don't think that any repression of repression took place. Repression, if you can call it that, was present in the past, and that led to our society today, where sex is more accepted and fewer things are taboo; and mostly these things are unacceptable because they are morally wrong or just unsuitable.

All in all, it seems that Foucault has a set idea on society and its repression of sexuality, and he believes that there is a certain power associated with this repression, causing it. It is this authority that has led us to where we are today, in terms of our acceptance of sex, since our pursuit for the want for sexual freedom has made us go against the roadblocks against discourse on sex. Personally, I believe that this is not the case, and that our acknowledgment of sex has had a natural evolution from being in a society where sex was present, but slightly common, to a society in which sex is highly rampant.Please note that this sample paper on Sexuality, Repression, and Power is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Sexuality, Repression, and Power, we are here to assist you. Your persuasive essay on Sexuality, Repression, and Power will be written from scratch, so you do not have to worry about its originality.

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E-Business Models Paper

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Running a profitable e-business involves accepting continual change and finding the correct business model is not always easy. Thanks to many of the Internet pioneers, corporations now have some history to analyze their desired approach. IBM analyzed over 700 companies that are currently active on the web and noticed that specific online business model patterns emerged (see table below). "Interestingly, while these groupings remain constant across geography, industry, company size or type of commerce, their distinction is marked by their primary focus and market scope" (IBM, p1).

The following is a list of these groupings and a brief description each

1) Offline facilitator promote their brands online, but do not take online orders in an effort to avoid potential channel conflicts,

) Context provider also called affinity groups or content aggregators, they are experts in a particular domain, are aligned with a specific value proposition, and might be based on subscriptions, advertising or transaction fees,

) Commerce destination direct sales channels that exist to sell a company's product or service.

4) Online exchange bring buyers and sellers together and revenue is generated from commission, advertising and subscription fees,

5) Gateway generally a search engine, ISP or shopping agent deriving most of its revenue from advertising.

While most companies find themselves in one of these models hybrid versions do exist. The key concept to remember is that "[…] the dynamic nature of the digital economy demands constant reevaluation and adjustment" (IBM, p). This paper will look at three different e-business models Business-to-Consumer (BC), Consumer-to-Consumer (CC), and Business-to-Business (BB) and discuss the differences and similarities between these models.

BC

First, we will look at Amazon.com. Amazon sells and ships products to consumers. The company launched its site in 15 and quickly took on the nations major retailers. The company's web site offers several pages of product categories to choose from. It is laid out very much like a major retailers "Super Store" with many departments. While Amazon originally started with books they have definitely branched out in many directions. The website offers several features to help increase the number of browsers that become buyers (see graphic below).

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As the header from the web page shows, they offer shopping carts, wish lists and personalized recommendations. Amazon.com is very easy to find through any search engine. In fact, information searches will often lead to a book which they stock and searches for items for sale will take you to their web site. Pushing the "shopping button on many home pages will also take you directly to Amazon.

This site offers many benefits to both the organization and its customers. First, the organization benefits through the shear volume of visitors. They offer such a variety of items it is easy to begin any search for merchandise on the web site. Browsers can look through Amazons offerings, add and remove items from their shopping carts, and pay for everything through an existing account.

The organization benefits by having a high volume of traffic. While not every visitor is a customer, the cost is lower than having a chain of stores. Therefore, a relatively low number of buyers are required to produce a profit.

There are three main downsides to this model higher overhead than CC sales, low browser to buyer ratio, lack of comfort from customers. Amazon stocks inventory in it own warehouses and ships material to customers. The carrying and shipping costs are significant. Further, it is estimated that only 1% of all browsers ever become buyers. Hence, Amazon has developed all the features and functions to entice more browsers to buy. Finally, customers dread the possibility of returning an item. Most shoppers still prefer the simplicity of dealing with a traditional retail store.

CC

Second, we will examine eBay. EBay acts as a broker between buyers and sellers. They never touch the product and manage to make 6% off every sale. Since eBay never touches the product it does not incur the hefty overhead of Amazon. As a result of this approach to business eBay generates a hefty 85% gross profit margin. EBay's model of real-time auctions could not work without and are perfectly suited to the Internet.

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EBay offers everything imaginable for sale on its website. There are actually over million items for auction daily on eBay ranging. Browsers can search for products by category, seller, key word, or many other possibilities. The auctions are real-time and bidders can track their progress at any time. As the graphic from eBay's website (above) shows the whole process is very well thought out and easy to use. EBay's website is very easy to find through search engines, home pages, etc.

EBay's business model offers some very unique benefits to the organization, sellers, and buyers. First, as previously mentioned, eBay does not ever take position of any products. It acts as a broker and can, therefore, operate with a very low head count (18 compared to Amazon's ,000) and overhead costs. The business model is perfectly suited for the Internet with its real-time auctions. Second, sellers can easily set up an account and post their products. Anyone can instantly become a player in the on-line auction game. Finally, buyers can search for an anything and everything imaginable. Every aspect of conducting business through eBay is very intuitive and easy to use.

BB

Finally, BB is more than companies buying and selling to each other on the Internet. It has evolved to encompass supply chain management as more companies outsource parts of their supply chain to their trading partners. Some of the benefits realized by companies through BB e-commerce include managing inventory more efficiently, adjusting to customer's demands more quickly, getting products to market faster, reducing administrative costs, controlling rogue purchases, and obtaining lower costs on some supplies.

ILink Systems, Inc. sells BB software solutions to companies. They are doing so as BB seller. Companies come to them to meet their BB requirements. Their goals are to enable its clients to conduct business any time, anywhere, in any language and currency through any distribution channel. The company's website offers lists of clients, partners, careers, feedback, and a sitemap. This company is targeting companies that want to expand their BB involvement. Their goal is to strengthen the relationships between customers, suppliers, and partners. The solutions they offer enable companies to interact directly and securely with a variety of customers, suppliers and partners. The benefits of doing so include decreasing the time it takes companies to respond to the constantly changing market place. The website has links to business sites and is easy to find using several search engines. ILink is an active participant in its target market.

Hof, Robert D. (1, May 1) Businessweek Online. EBay vs. amazon.com. Retrieved from the World Wide Web October 0, 00 http//www.businessweek.com/1/_/b61001.htm

Models made "e" What Business are You In? Retrieved from the World Wide Web October 0, 00 http//www-1.ibm.com/services/innovation/gsee510160000f.pdf

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Shakespear-romeo and juliette (A-/B+)

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When I watched a Version of Romeo and Juliet the first thing I became aware of was the prologue being spoken, it tells us of two star crossed lovers, Romeo and Juliet, who are destined to love, the words 'star crossed lovers' indicates that fate and destiny may be a strong theme to the story. But alas the love was not to be as we learn the twos vast love for each other is halted by the perils of the warring families each are members of.

The prologue is a good way to set the scene which Shakespeare does effectively with the words 'In fair Verona' not only because it tells us where the story takes place, Verona (Italy), but it stretches the full extent of the violence the two families oppose each other with, it does this by saying 'Civil blood Makes Civil hands unclean' Meaning there has been bloodshed and the word 'Fair' is the word which contrasts with the bloodshed making it seem even more violent.

In this particular prologue Shakespeare tells the audience basically what is going to happen, by doing so he is getting across lessons to be learnt and morals such as the way the fryer by trying to help the two innocents caught up in a war of hatred, ends up killing them both, this is done by making the audience pay more attention to how and why tragedy is happening rather than them just feeling the initial shock of the play and the bold statements it makes, this is typical of Shakespeare as most of his plays were based on death and is an excellent way to start this particular play.

I was initially shocked with the way the families were so openly fighting in the streets, this contrasts with the way people in the present conduct themselves in public even though a lot of fighting does go on in this modern day and age, most of it happens at night under the influence of alcohol, whereas in Shakespeare's time fighting in the streets was not uncommon to be over simple disagreements and unnecessary arguments. Although the punishments have changed for the crime the crime itself isn't and wasn't tolerated now or then. The punishment back then was death but now may only be a simple warning or maybe prison, this shows that the value of a life even a criminal in the present day is respected much more than that of a criminal in Shakespeare's time.

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I was not quite so shocked to see the families having minor disagreements as the same things happen in the present, although it is stereotypically seen as families off council housing estates, it does happen.

The relationship between fathers and daughters in the time Romeo and Juliet was set is somewhat different to the same relationships in the present day, where as then the fathers were pressuring there daughters in to arranged marriages with wealthy young men of power and prestige the exact opposite is happening at present fathers try to encourage there daughters to become as successful as they can on there own.

I chose to study Romeo in detail as my character because I found his personality emerged as the conventional lover, secluded from the other boys and young men of his age he is a romantic at heart who does not wish to fight as we see in the opening when the young men of the families are fighting we see Romeo drifting in and out of love with lady Rosalyn the unresponsive object of his obsessions from the house of the Capulets.

My initial Response to Romeo was that he was a little irresponsible in the way he seemed to fall innocently in and out of love so easily, but I did perceive Romeo as a more open minded young man of intellect rather than that of a violent, hatred driven and misled boy, driven in to his own aggressive manhood like the other young men of his age. Rather than the ability to think, judge, forgive and perceive the other family for themselves the others I feel would have continuously fought until something equally as devastating as the deaths of Romeo and Juliet happened marking the end of the rivalry.

The character Tybalt Directly contrasts with Romeo as he is driven by hatred and the overwhelming sense of loathing he possesses for the Montagues, whereas Romeo is the complete opposite, proof of this is the party scene where we see Romeo sneak in to the house of the Capulets to attend a social gathering where Tybalt spots Romeo and Romeo recognising the danger of confrontation slips away in to the shadows to avoid fighting, but Tybalt on the other hand stirs up a fuss and takes the news to the head of the Capulet house looking for support in his anger, but in spite of the families history the elder more wise Capulet swallows there pride to avoid the embarrassment of fighting in there own home.

One of the most interesting things in Romeos personality I found was his loyalties and equally his disloyalties. He showed his loyalty to his friend Mercutio when he killed Tybalt after he killed Mercutio in a fight, which could have been so easily avoided, which of course Romeo not wishing to fight would have preferred. Even though Romeo would rather have seen Tybalt as a friend, due to his recent marriage to Juliet, he new where his loyalties lay, with his friends. The disloyalty he displayed when he married Juliet were equal to the disloyalties he received from his family when they forbid him to marry his one true love Juliet, and Juliet received the same disloyalty from her family.

I feel the most influential speech Romeo makes in the story is the one in act scene 1 after Mercutio has been killed by Tybalt, because it is the first time we see the more passionate Romeo, his passion for his family and friends, instead of seeing the romantic lover boy, we see the vengeance driven side of him and a bravery so far unseen. The open mind he has thought with is clouded by anger and his judgement is hence forth smothered as he fights to the death but this bravery could also be seen as his stupidity as no matter who kills who, both shall have died in the end as the prince, after fair warning, said 'if you ever disturb our streets again, your lives shall pay the forfeit of the peace.' However he did fight for the pride and honour of his friend making a brave and heroic man of the Montagues a more fitting title.

It is this scene I chose to study in more detail as I feel the effect Shakespeare intended Romeo to have on his audience in this scene was somewhat different to any other, as so far in the story Romeo has only delivered the element of love, in this scene the aggression may appeal more to the emotions of anger, hate and sadness over the death of his close friend. The provocative language used by Tybalt and Mercutio as they taunt each other over exemplifies this. This works because it makes the death of Mercutio seem in vain.

In this scene we see almost every character act aggressively towards each other there is only one character who does not and that surprisingly enough is Benvolio as Benvolio has been involved in most arguments even if he hasn't said anything he was there, Benvolio however is only looking out for his friend Mercutio by taking precaution in the fighting due to the princes words of warning. But he fails in breaking the tension as Mercutio continues to parade his pretentious side to his personality by continuing with the taunting, but Romeo with the aura he possesses breaks the tension upon entering the scene without intending to because Tybalt after so vigorously and aggressively conversing with Mercutio turns his attentions to Romeo without a second look at Mercutio this shows Romeo is a man of importance in the eyes of both families.

The power of the language used by Romeo in this scene is very passionate and if I were to give some advice to the actor performing this scene I would say make sure he understands the text before he says it, this also would be vitally important for anyone acting in a play with old and sometimes confusing language such as many of Shakespeare's plays. If I were to give the director one piece of advice it would be to get plenty of close-ups of Romeo to exaggerate the feelings he is performing with facial expressions and hand gestures of course it would be important to tell the actor to perform the hand gestures and facial expressions also.

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Pinky

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Cry, The Beloved Country

Alan Paton

Cry, The Beloved Country, is a profound, majestic novel that depicts South Africa during the poverties years of British rule. It is a novel about a black mans country under white mans law. It is about all kinds of injustices that man inflicts on his own brothers.

Alan Paton, born in Peitermaritzburg, Natal, saw South Africa in the worst of times. Britain was the ruling power, and in a country that had belonged to the black man for centuries, where the overwhelming majority of the population was black, and where black man was the infrastructure, black was considered inferior. It was a time of racial, political, and social injustice, and it was all directed at the black man. Black was considered stupid, black was considered dirty, and unintelligent. As Alan Patons Robin Hood, Arthur Jarvis, writes in a speech in the book, We say we withhold education because the black child has not the intelligence to profit by it; we withhold opportunity to develop gifts because black man have no gifts; we justify our action by saying that it took us thousands of years to achieve our own advancement, and it would be foolish to suppose that it will take the black man any lesser time, and that therefore there is no need to hurry. We shift our ground again when a black man does acheive something remarkable, and decide that it is a Christian kindness not to let black men become remarkable. Thus, even our God becomes a confused and inconsistent creature, giving gifts and denying them employment.

Do my essay on pinky CHEAP !This alone is so well-written, so well-synchronised with the rest of the book, that it sends shivers down my spine to read it. Paton is a master of words, of nuances, of dialogue, and meaning. He will draw you into a world where it is not difficult to understand the plight of the black man in his own country, and it is even easier to become one of them, on their side, hoping for all its worth that they survive.

He adopts John Steinbecks method of dialogue, with the dash coming before the actual speech and no quote marks. It gives the novel fluidity, makes it all come together. It also lends a sort of serious sadness to the characters speeches, and it makes their words resound in silence, almost like a word spoken aloud in a lonely,deserted, desolate church, coming from nowhere and ending nowhere.

Religion is a centerpoint, as Patons main character is a Zulu pastor whose church is in a povertised, dry valley of old men and old women, of mothers and children. The men have gone away to Johannesburg, one of South Africas major cities whose central industry is gold mining. It is a city of sin and dirt, that has come, because of the white man, between the tribe and its people. Paton displays the city and its people, black and white, as corrupt, so evil that even someone innocent and whole, fresh from the grasslands, is overtaken by its filth. This is hard for a man whose innocent life revolved, in its entirety, around the principles of God, Church, and Goodness.

Stephen Kumalo, the pastor, comes to Johannesburg to seek out his sister. She went to look for her husband, who disappeared into the jaws of the city and never came back. She also is eaten, and Kumalo gives her up for lost. His son, Absalom Kumalo, goes to Johannesburg to look for his aunt, and is never seen or heard from again. Stephen, upon receiving news of his ailing sister from a kind-hearted pastor in Johannesburg, gathers up his worldly posessions and sets off in search of his lost family. He combs the streets and slums of Johannesburg and its surrounding areas with his pastor friend, following the ghosts of his sister and son from one place to another without pause. His friend, at first, seems inconspicuous and unimportant, but as the story progresses, Paton subtlely introduces Johannesburg through the eyes of one that knows of its ability to corrupt, maim, and discard. This friend drops many hints of wisdom, of profoundness, and of depth.

Kumalo finds his sister and son, but in what condition I will leave you to discover. The novel will not be the same if you know whats going to happen, not because its like that with every book, but because the surprise of its incidents is part of its enigma, and Johannesburgs horror.

This novel is so rich, so adept in describing the sorrow of mankind, the frustration, the incredible sadness of life in a torn world, that it will draw you in, capture you in a way you never believed possible, in a way you will remember long after you turn the last page.

Shazin Ali

Alan Paton wrote Cry, the Beloved Country during his tenure as the principal at the Diepkloof Reformatory for delinquent African boys. He started writing the novel in Trondheim, Norway in September of 146 and finished it in San Francisco on Christmas Eve of that same year. Concerning the state of racial affairs in South Africa, the novel tells the story of the Zulu pastor Stephen Kumalo and his search in Johannesburg for his son, who is accused of murdering the white social reformer Arthur Jarvis. Paton gave the novel to Aubrey and Marigold Burns of Fairfax, California, who sent it to several American publishers, including Charles Scribners Sons, whose editor, Maxwell Perkins, immediately agreed to its publication. According to Patons note on the 187 edition of the book, the novel was titled as such during a competition in which Paton, Aubrey and Marigold Burns each decided to write a proposed title and all three chose Cry, the Beloved Country.

Upon the publication of the novel in 148, Cry, the Beloved Country became an instant phenomenon with near unanimous praise. Soon after its publication the composer Kurt Weill adapted it into a musical, Lost in the Stars, and Paton himself worked on the screenplay for the 151 film adaptation of the novel, directed by Zoltan Korda. In 15, Miramax Films again filmed Cry, the Beloved Country, with James Earl Jones and Richard Harris in the roles of Stephen Kumalo and James Jarvis, respectively.

Undoubtedly much of the power of the novel comes from its depiction of the particular social conditions in its contemporary South Africa. The novel takes place in the time immediately before the institution of apartheid in the nation (the character Msimangu even discusses the possibility of apartheid), which occurred within a year of the novels 148 publication. Therefore, although the novel does not discuss the state of South Africa during the apartheid years, Cry, the Beloved Country is often used as a proxy for lessons concerning apartheid-era South Africa.

Even before the apartheid years, as Paton makes clear in his novel, discrimination against blacks in South Africa was significant. Blacks were forbidden from holding political office, had no viable unions, and certain positions were closed to them. The 11 Native Lands Act prevented blacks outside of the Cape Province from buying land not part of certain reserves. But apartheid was officially institutionalized in 148 with the election of the National Party and Daniel Malan as Prime Minister. The National Party enshrined apartheid into law with such legislation as the Group Areas Act, which specified that separate areas be reserved for the four main racial groups (whites, blacks, Coloreds, and Asians). The African National Congress, a group of black leaders under the leadership of Albert Luthuli and Nelson Mandela, emerged as the principal opposition to apartheid and the National Partys reforms. The African National Congress became increasingly militant, even using terrorist tactics that led to the government banning the ANC in 160.

After several decades, the end of apartheid was a slow one that began with the election of F.W. de Klerk as leader of the National Party and President of South Africa. De Klerk began to permit multiracial crowds to protest against apartheid and met with blacks leaders such as Bishop Desmond Tutu. Most importantly, he lifted the ban on the ANC and ordered the release of the imprisoned Nelson Mandela. By 1, the National Party and the ANC reached an agreement that pledged to institute a democratic South Africa. The ANC won political power in April of 14 during the first nonracial democratic election, with 6 percent of the vote. Under the ANC, Mandela repealed all apartheid legislation, while the South African parliament approved a new constitution in 16.

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Anaylses of Doris Lessing text

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Doris Lessing is a South African born Novelist and she has lived in Britain since the 140's. She is well known for her political views especially, her views on the anti-apartheid.

This story is situated in a foreign country and it revolves around two main characters, a Mother and a son. The story relates to the challenges that the son sets for himself, and how he has to overcome them to prove his own manhood.

The boy and his Mother set off on the first morning of their holiday. When passing a rocky beach the young boy becomes entranced by the adventures it holds, and is more interested in exploring it, than going with his mother to the over crowded beach on the other side of the bay. Although he feels obliged to stay with his mother, to make sure that she is safeguarded. This is probably due to the fact that they are a one parent family, and he has grown up looking after his mother's emotional welfare.

"The boy watched that white, naked arm, and turned his eyes, which had a frown behind them, towards the bay and back again to his mother."

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The boy stays with the mother, although he still thinks about the rocky beach. The dangers of it has captured his imagination, and like the stereotypical boy he likes anything that could be dangerous or could get him into trouble. The boy's mother feels extremely responsible for him, and is constantly looking out for him. She still looks on him as being young and innocent, and is therefor quite protective and wary of him being independent. However, she loves him enough to realise that she shouldn't smother him, but this doesn't stop her from worrying.

"He was an only child, eleven years old. She was a widow. She was determined to be neither possessive nor lacking of devotion. She went worrying off to the beach."

The next morning when they are walking passed the rocky beach, Jerry, the boy, just can't bear not to go down to investigate the dangerous bay. So he blurts out that he would like to go down and have a look at it. His mother agrees.

The writer seems to make the beach seem dangerous. The personification of the rocks makes them seem if they are bruised like a human would be if they had been repeatedly hit by the sea. This makes the sea seem as if it is out to damage the rocks. Also the use of similes

"Over a middle region where the rocks lay like discoloured monsters under the surface,"

This makes the rocks seem like they are waiting under the sea to pounce at Jerry. Most children are afraid of monsters, even though they don't exist, so it is brave of Jerry to venture into the water.

Jerry is a very lonely boy, he has no brothers or sisters to play with while on holiday.

He sees a group native boys diving off the end of a small cape, but he can't join in with them because they are older than him, and they are foreign. He longs to be part of their group and watches them for a while, waiting for a reason to go over and join in.

When one of the native boys waves and smiles at him, he jumps at this chance to go over and meet them. However when the boys realise he is foreigner strayed from the tourist beach they forget about him. Jerry is contented with the fact of just being with them.

As they begin diving, Jerry watches them in awe, and wonders if he could dive the way they do. So he tries, and the boys watch him, making way for him as he swims back towards them.

On the second attempt at diving, the foreign boys dive, them swim for a long time through an underground cave, in a rock and arrive on the other side of Jerry. A long line of rocks separate Jerry from his new foreign acquaintances. As Jerry is frantic to belong to the group, he tries to copy them.

Diving into the water and then swimming to the line of rocks which lies between him and them. He can't find the opening they swam through, and he becomes desperate to find it. He has failed, and by the time he has resurfaced, the foreign boys are attempting it again.

Jerry is so desperate to fit in, that he begins to splash around, and is just being childish, he doesn't realise this at first because he used to doing it.

"And now, in a panic of failure he yelled up, in English "Look at me! Look!" and he began splashing and kicking in the water like a foolish dog."

Eventually he understands that he has made a fool of himself, and he is embarrassed.

"Through his hot shame, feeling the pleading grin on his face like a scar that he could never remove,"

The boys carry on diving, and again he is only watching. He begins to count how long they have been under water, and they are taking a long time to resurface. He begins to get very worried when they haven't broken the water by fifty, and he is extremely frightened before they emerge from the water at one hundred and sixty. They foreign boys swim away and leave Jerry alone. He knows they are leaving to get away from him, and this upsets him.

At this point Jerry seems to need reassurance and comfort, so he swims to a place where he can see his mother. This makes him feel a little better. So he swims back to the rocks, whichare again personified as being

"the fanged and angry boulders."

By this time, Jerry has challenged himself that one day he will accomplish what the foreign boys had, and swim through the underground passage. The personification of the rocks makes it seem as if he has to fight a dragon, which would be quite a task.

By this time he has decided to return to the villa and wait for his mother. His is extremely eager for her to buy him some swimming goggles, so that he can complete his challenge.

We can tell Jerry is eager from the way he is impatient with his mother and can't wait for them, he wants them this minute. Also he snatches them out of her hand once she had bought them.

"But now, now, now! He must have them this minute, and no other time"

"As soon as she had bought the goggles, he grabbed them from her hand,"

Straight away Jerry is running to the beach to try and complete his task as soon as he has the goggles

He is very determined. He continues looking for the passage in the rocks. While he is clinging to the rock he finds the entrance, and he was ecstatic. Although when starting to enter the gap he feels things brushing up against him and his imagination runs wild, as he begins to think of giant octopuses. In other words he is scared of the unknown, as he can't see what's inside.

Jerry realises that before he can accomplish his task he must condition his breathing. And so he spends the rest of the day training his lungs. When finally the sun started getting low Jerry rushed to the villa

The next day Jerry doesn't ask permission to go down to the rocky beach, because he doesn't want to tell his mother what he is doing because she will get worried. Also he wants to do this challenge by himself, to prove the point that he is independent.

He spends all day practising, and when he goes to the villa that night his mother reminds him that he only has four days left on holiday. On the day before they left Jerry had to do it. Tension is growing because he has limited time.

It came to the morning when Jerry would try.

He swam in the water and then attempted to swim through the tunnel. When Jerry begins swimming through the tunnel he loses his count, this shows signs of strain, trying to dive through the tunnel.

The physical description of the way the tunnel is and how Jerry moves along it, show us the sheer pressure and strain he is under.

Jerry can't see anything but blood when he surfaces from the water, because his nose is bleeding. The fact that he believes his eyes have burst shows that he must have realised he was under a lot of strain.

It also takes quite a lot to make the nose bleed, so he must have been straining extremely hard to get through the tunnel.

The story ends my Jerry's mother enquiring if he is alright, because he is looking pale. She sees the bang on his head.

Jerry lies about how he banged his head, and doesn't mention the tunnel. He does this because what has taken place is very private to him, and he believes his mother shouldn't be involved, so he doesn't make a fuss.

The title of the story is very significant, because the story is about the rite of passage of a young boy called Jerry. Through the tunnel suggest the adventures he went to, to pass through the tunnel, but it also is the rite of passage from a boy to a man from the challenge.Please note that this sample paper on Anaylses of Doris Lessing text is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Anaylses of Doris Lessing text, we are here to assist you. Your persuasive essay on Anaylses of Doris Lessing text will be written from scratch, so you do not have to worry about its originality.

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Comparative essay on the elements of fiction between "One Hundred Years of Solitude" and "The Secret Miracle"

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Both set in the midst of South American culture, 'One Hundred Years of Solitude' by Garcia Marquez and 'Ficciones' by Jorge Luis Borges, attempt to illustrate the nature that is humanity. While on the whole both stories are presented differently, similar factors were used to emit a similar feeling from the reader. With focus on the last few chapters on 'One Hundred Years of Solitude' and on one short story in Ficciones, "The Secret Miracle", a more concise explanation can illustrate the different approaches the authors may have made in using the death of two central characters in either novel to conclude the book/short story.

Chapter 18-0 in One Hundred concludes the novel to the very last happenings in the town of Macondo and to the death and downfall of the Buendia family, the town's founding family. The last of the family line, Aureliano II finally fulfills his life-long pursuit of deciphering the parchments that was left by the gypsy, Melquiades, after he finds his child being eaten by the ants. In The Secret, the last few days of Jaromir Hladik is recounted after he is sentenced to death for charges no one really knew. As he spends his last few days, he asks God to grant him just one wish before he dies; and that is to give him just enough time to finish his last, and what he considers would be his greatest novel. The sense of imminent death is present in both these pieces, as the reader knew right from the beginning that these two characters were going to die. However, parallels can also be seen in the irony that comes with their deaths. Almost at the very instant they fulfill both their goals, they die.

This sense of irony put forth by both authors emphasize the ongoing theme that time is almost irrelevant in both novels. "(Aureliano II) saw the epigraph of the parchments perfectly placed in the order of man's time and space The first of the line is tied to a tree and the last being eaten by the ants….Melquiades had not put events in the order of a man's conventional time, but had concentrated a century of daily episodes in such a way that they coexisted in one instant." In the final pages of One Hundred, as Aureliano II is deciphering the parchments, he discovers that time in a sense has collapsed so that the entire history of his family and the town occurs in a simultaneous instant. While the book is written chronologically, there have been hints of overlapping stored throughout the book. AS if time is also occurring in circles and in spirals as you read it in linear form. Garcia illustrates this by constantly mentioning the ghost of past characters; which, together with the foreshadowing and description of the present happenings, bring the past the present and the future together. In The Secret, Borges plays with time in such a way that the reader does not fully understand just how long the piece takes place by. While throughout the short story mentioning dates uses definite time, it is in the very last instant, as Hladik is writing his novel, that time is played with. It is said that Hladik asks for an entire year from God in order to finish his work, however, no one really knew whether it was in fact a whole year that the time has stopped, because the time HAS in fact stopped. There was no way of measuring. A the end of the story, the reader is told that in fact, only a minute of conventional time has passed. This gives a sense of "time is what you make it to be" that Borges is trying to put forth.

The use of symbols is abundant in both pieces in helping the reader understand the incidents that are happening in the novel/short story. In the final prophetic scene of One Hundred, mirrors were once again mentioned (Macondo is decried as being a "city of mirrors" throughout the story). This is interesting because it is said that as Aureliano read about himself reading about himself and feels "as if he were looking into a speaking mirror". This indirectly ties in to the idea of infinity that is also presented in The Secret wherein Hladik writes a story within the story that the reader is reading within a book. This loop often lends to the idea of labyrinths, a theme that is prolific in a lot of Borges' work. It lends the element of pieces looping back upon them and upon reality, almost to undermine reason and put forth a sense of exaggeration. A technique that helps the reader not only question whether what is happening in the novel is possible but also question existence itself. Labyrinths are said to symbolize a long a difficult path, which is not far from the journeys that these two characters in each piece has taken, only ending in tragedy. Other symbols that were used in One Hundred during these last few chapters were the tornado that engulfs he town of Macondo, perhaps symbolizing the spirality of time; also the ants, not far from the bee that is used by Borges to symbolize death and professional advancement (to Hladik as a writer) in The Secret.

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An omniscient power (God in The Secret and Melquiades in One Hundred) is presented in both pieces by the authors, which, can be interpreted as introduction to the idea that things are predetermined; that what happens to us is beyond our control. Both Marquez and Borges attaches supernatural power to act as the pre-determiner of the pieces on the whole. God is asked for by Hladik to grant wishes, which as one would recall is what Melquiades also did in the beginning of the novel, granting Jose Arcadio whims. This gives both pieces a pessimistic view that man has no free will and that all actions are predetermined, however, it also emphasizes the dark nature of human existence. While this is not so much indicated in The Secret, an introduction to the character's religion, "…his blood was Jewish," briefly focuses on the incident of the holocaust and in a way lends to the dark nature of the story, especially since he was not even sure of the reasons to why he was arrested except of maybe his religion.

One prevalent aspect in both novels is the use of magic realism. Although realism and magic seem to be at first opposites, they can, however be combined and both are necessary in order to convey Borges' and Marquez's conception of the world. Magic realism conveys the idea that reality is incorporated with superstition, religion and supernatural beings. Many Latin American authors share this approach and in a way help shapes the piece. The act of reading is interpretation. With the input of several imaginative factors, it helps raise questions to the readers' mind. With this understanding that reading is subjective to a reader's interpretation, stories/novels can be created with tight structures with numerous meanings. And this leads to question what is real and what is not, forcing the reader to look at their own life.

Not only do all of these affect the final outcome of the pieces, it can also affect the way we, as readers, view our own lives. Both authors keep with the themes that they are familiar with in order to create two separate worlds with similar aspects. While it is difficult to not to look at literary pieces with the notion that they all have one predetermined meaning, it is not difficult to see the factors that make up whatever one interprets the meaning to be. One walks away from both these pieces with a sense of awe, perhaps because of the intricate worlds that these authors have created through irony, foreshadow, imagery, etc. But one really has to savor the ingenuity of the presentations of both these pieces and to ponder the questions they raise, which ultimately is what a novel/short story should achievePlease note that this sample paper on Comparative essay on the elements of fiction between "One Hundred Years of Solitude" and "The Secret Miracle" is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Comparative essay on the elements of fiction between "One Hundred Years of Solitude" and "The Secret Miracle", we are here to assist you. Your persuasive essay on Comparative essay on the elements of fiction between "One Hundred Years of Solitude" and "The Secret Miracle" will be written from scratch, so you do not have to worry about its originality.

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Theatrical Performance/Play Review: Dinner with Friends by Donald Margulies

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Theatrical Performance/Play Review: Dinner with Friends by Donald Margulies

"Inevitable Evolution."

It takes a lot of effort to "prune" a certain work of art. Some passions, no matter how grand…or how beautiful they are, simply fade away. It is also inevitable for man to lose his appetite even for the most scrumptious dish. One's craving does not last forever. These thoughts are not too scary—but what if everything…even Love… must always come to an end?

Dinner with Friends by Donald Margulies is a subtle drama about love, commitment and friendship in the course of failure and divorce. It has a thought-provoking story that revolves around the unfathomable ideals of marriage; of the so-called "inevitable evolution" that married couples go through, and of the beauty of companionship during times of uncertainties and that rickety phase of existence that most people, inescapably, undergo.

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The play presents to us four significant characters: Beth, Tom, Karen and Gabe. All four depicts explicit and interesting characteristics, each having a divergent mind-set or a certain forte that one may associate himself/herself into. The four entities live through a special bond that is embellished with both wonders and nightmares. Gabe and Karen are your 'seemingly happy' couple who share the same flair for cooking. Both are international food writers now living in their Connecticut abode after spending some time polishing their craft in Italy. Consciously or unconsciously (after twelve years of married life) they begin to sense a tinge of ennui and monotony in their relationship as they re-examine their rapport (and compare it with what their friends are having). Beth and Tom, meanwhile, epitomizes the 'malcontent pair'—who, after twelve years of living, loving and struggling together, decides to put some things to an end. Marriage has somewhat given them chains instead of wings to keep them soaring and dashing around with ardor for each other. Gabe and Karen are sorry for both. Beth and Tom is such a part of their lives…and seeing them crumble apart creates a profound and such a disquieting impact on them.

The first scene contains the part wherein Beth unveils the truth about her and Tom to her friends (Karen and Gabe). The characters' tones are melancholic and shaken, although there are always the insertion of a comic relief in between blubbers and seriousness (courtesy of Gabe—the naïve yet shrewd guy). Beth discloses Tom's weaknesses and deficiencies as a husband while her two friends are trying to find ways to comfort and reassure her dying conviction. Certain images are used in this scene such as the lemon apple cake (which will also be apparent in the latter parts of the play). The writer sees the image as somewhat a 'diversion' from the nightmare. Its sweetness may have the ephemeral power to combat bitterness in one's heart, but after consuming it, the power just burns off and so does the evanescent glow it brings to the one having it.

The play presents two faces and the many phases of marriage. In the second part of the drama, we are given a flashback of events—now we see the younger versions of our four vital characters. It is summer: Gabe and Karen are on their honeymooning phase while Tom and Beth are just on their getting-to-know-each-other chapter.

The third part is a fast-forward. This time, Beth and Tom are already moving on with their lives. Beth is seeing someone named David and Tom is still with Nancy (the travel agent). This scene consists of dragging yet insightful conversations that covers on conflicting points-of-view with regards to the true meaning of marriage. Tom is trying to convince Gabe that what he is going through is utterly normal. "Married couples all go through wretchedness…" There will come a point that you would just want to chuck it all and start over again, Tom said.

Basically, the writer sees this play as an eye-opener. Dinner with Friends brings to our realization the great responsibility that comes with settling down. Some couples do look good in the outside, yet one does not really know what couples are like when they are alone. Unsurprisingly, there is that "inevitable evolution". This is, as the assessor perceives it, is the most resounding phrase in the play. It awakens one's senses about the vulnerability of marriage, and the silent discord a couple has got to deal with when it comes to reviving a once overflowing passion. Indirectly, the play suggests the need for constant reinvention… the importance of sex, imagination and most importantly communication. It has a subtle way of presenting reality, of disclosing both the good and the bad side of that dream that goes after the phrase "until death doth part." And it also displays a great deal of inspirational camaraderie and the worth of sensitivity among friends.

Technicalities [Negative and Positive Points]

Dinner with Friends, with its Pulitzer-prize winning content, is direly convincing. The simple plot is enhanced with a quaint setting that suggests a typical ambiance. The William J. Shaw Theatre offers a medium-sized space that seems to be very challenging to maximize. The props used were pleasant, quite realistic even to the smallest details. To the left of the stage was the patio, which was enhanced by minimal yet apt lights. The conversations usually happen in the living room/dining room, which were situated in the middle portion of the stage. The colors used vary in accordance to the change in season/ weather, thus giving the audience the fitting emotion/intensity in each scene.

A small bedroom and an even smaller bar were located at the right wing of the stage. One can sense the very careful picking of materials to balance the different textures of the elements. Musical scoring was very minimal, and so the actors' clear diction/projection (and of course, the content of what they are saying) were made more noticeable. Sound effects were good, except for the car engine sound, which reverberated more of like a lawnmower. Costumes and make-ups were natural; typifying four average individuals/professionals. Apparently, the whole arrangement creates an intimate and snug connection between the spectators and the cast. Most flaws are quite easy to disregard if one indulges himself/herself in the substance or the message of the plot.

° ° ° ° ° ° ° °

Dinner with Friends is surely a treat for mature individuals. It is a play that is "loaded with wit, compassion and consummate skill"—and with a straightforward plot that may even alter or affect one's perception. It is inevitable to wonder why is it entitled such when the plot actually revolves around "the compromises of middle age and the cost of breaking apart—and of staying together". Why "Dinner with Friends"? This was the first question that popped in the critic's head. And after some time of pondering, the writer sensed how truly significant the title is to the plot. And how even that slice of lemon apple thingy creates a philosophical impact to the keen audience. Dinner with Friends suggests that comforting scene amidst a draining day. It somehow knocks on the people's senses, telling us that despite an ostensibly saddening event in our lives, it is always consoling to find ourselves in the middle of a heart to heart conversation with those people who see both the good and the evil in us. Some people may desert us, an obsession or maybe a loved may predictably abandon us, but still, there are always those little good things that await us at the end of a bleak day, like a cheery and warm dinner. Dinner with Friends makes us appreciate the goodness of having friends, the goodness of being true and optimistic even after a typhoon, the goodness of digesting even the harshest realities of existence…of maturing and developing into better individuals. This play gives us a deeper understanding… it opens our doors for that "inevitable evolution"… and most of all it opens our hearts for a deeper meaning of love.

Michelle J. NepomucenoPlease note that this sample paper on Theatrical Performance/Play Review: Dinner with Friends by Donald Margulies is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Theatrical Performance/Play Review: Dinner with Friends by Donald Margulies, we are here to assist you. Your persuasive essay on Theatrical Performance/Play Review: Dinner with Friends by Donald Margulies will be written from scratch, so you do not have to worry about its originality.

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