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Cry, The Beloved Country
Alan Paton
Cry, The Beloved Country, is a profound, majestic novel that depicts South Africa during the poverties years of British rule. It is a novel about a black mans country under white mans law. It is about all kinds of injustices that man inflicts on his own brothers.
Alan Paton, born in Peitermaritzburg, Natal, saw South Africa in the worst of times. Britain was the ruling power, and in a country that had belonged to the black man for centuries, where the overwhelming majority of the population was black, and where black man was the infrastructure, black was considered inferior. It was a time of racial, political, and social injustice, and it was all directed at the black man. Black was considered stupid, black was considered dirty, and unintelligent. As Alan Patons Robin Hood, Arthur Jarvis, writes in a speech in the book, We say we withhold education because the black child has not the intelligence to profit by it; we withhold opportunity to develop gifts because black man have no gifts; we justify our action by saying that it took us thousands of years to achieve our own advancement, and it would be foolish to suppose that it will take the black man any lesser time, and that therefore there is no need to hurry. We shift our ground again when a black man does acheive something remarkable, and decide that it is a Christian kindness not to let black men become remarkable. Thus, even our God becomes a confused and inconsistent creature, giving gifts and denying them employment.
Do my essay on pinky CHEAP !This alone is so well-written, so well-synchronised with the rest of the book, that it sends shivers down my spine to read it. Paton is a master of words, of nuances, of dialogue, and meaning. He will draw you into a world where it is not difficult to understand the plight of the black man in his own country, and it is even easier to become one of them, on their side, hoping for all its worth that they survive.
He adopts John Steinbecks method of dialogue, with the dash coming before the actual speech and no quote marks. It gives the novel fluidity, makes it all come together. It also lends a sort of serious sadness to the characters speeches, and it makes their words resound in silence, almost like a word spoken aloud in a lonely,deserted, desolate church, coming from nowhere and ending nowhere.
Religion is a centerpoint, as Patons main character is a Zulu pastor whose church is in a povertised, dry valley of old men and old women, of mothers and children. The men have gone away to Johannesburg, one of South Africas major cities whose central industry is gold mining. It is a city of sin and dirt, that has come, because of the white man, between the tribe and its people. Paton displays the city and its people, black and white, as corrupt, so evil that even someone innocent and whole, fresh from the grasslands, is overtaken by its filth. This is hard for a man whose innocent life revolved, in its entirety, around the principles of God, Church, and Goodness.
Stephen Kumalo, the pastor, comes to Johannesburg to seek out his sister. She went to look for her husband, who disappeared into the jaws of the city and never came back. She also is eaten, and Kumalo gives her up for lost. His son, Absalom Kumalo, goes to Johannesburg to look for his aunt, and is never seen or heard from again. Stephen, upon receiving news of his ailing sister from a kind-hearted pastor in Johannesburg, gathers up his worldly posessions and sets off in search of his lost family. He combs the streets and slums of Johannesburg and its surrounding areas with his pastor friend, following the ghosts of his sister and son from one place to another without pause. His friend, at first, seems inconspicuous and unimportant, but as the story progresses, Paton subtlely introduces Johannesburg through the eyes of one that knows of its ability to corrupt, maim, and discard. This friend drops many hints of wisdom, of profoundness, and of depth.
Kumalo finds his sister and son, but in what condition I will leave you to discover. The novel will not be the same if you know whats going to happen, not because its like that with every book, but because the surprise of its incidents is part of its enigma, and Johannesburgs horror.
This novel is so rich, so adept in describing the sorrow of mankind, the frustration, the incredible sadness of life in a torn world, that it will draw you in, capture you in a way you never believed possible, in a way you will remember long after you turn the last page.
Shazin Ali
Alan Paton wrote Cry, the Beloved Country during his tenure as the principal at the Diepkloof Reformatory for delinquent African boys. He started writing the novel in Trondheim, Norway in September of 146 and finished it in San Francisco on Christmas Eve of that same year. Concerning the state of racial affairs in South Africa, the novel tells the story of the Zulu pastor Stephen Kumalo and his search in Johannesburg for his son, who is accused of murdering the white social reformer Arthur Jarvis. Paton gave the novel to Aubrey and Marigold Burns of Fairfax, California, who sent it to several American publishers, including Charles Scribners Sons, whose editor, Maxwell Perkins, immediately agreed to its publication. According to Patons note on the 187 edition of the book, the novel was titled as such during a competition in which Paton, Aubrey and Marigold Burns each decided to write a proposed title and all three chose Cry, the Beloved Country.
Upon the publication of the novel in 148, Cry, the Beloved Country became an instant phenomenon with near unanimous praise. Soon after its publication the composer Kurt Weill adapted it into a musical, Lost in the Stars, and Paton himself worked on the screenplay for the 151 film adaptation of the novel, directed by Zoltan Korda. In 15, Miramax Films again filmed Cry, the Beloved Country, with James Earl Jones and Richard Harris in the roles of Stephen Kumalo and James Jarvis, respectively.
Undoubtedly much of the power of the novel comes from its depiction of the particular social conditions in its contemporary South Africa. The novel takes place in the time immediately before the institution of apartheid in the nation (the character Msimangu even discusses the possibility of apartheid), which occurred within a year of the novels 148 publication. Therefore, although the novel does not discuss the state of South Africa during the apartheid years, Cry, the Beloved Country is often used as a proxy for lessons concerning apartheid-era South Africa.
Even before the apartheid years, as Paton makes clear in his novel, discrimination against blacks in South Africa was significant. Blacks were forbidden from holding political office, had no viable unions, and certain positions were closed to them. The 11 Native Lands Act prevented blacks outside of the Cape Province from buying land not part of certain reserves. But apartheid was officially institutionalized in 148 with the election of the National Party and Daniel Malan as Prime Minister. The National Party enshrined apartheid into law with such legislation as the Group Areas Act, which specified that separate areas be reserved for the four main racial groups (whites, blacks, Coloreds, and Asians). The African National Congress, a group of black leaders under the leadership of Albert Luthuli and Nelson Mandela, emerged as the principal opposition to apartheid and the National Partys reforms. The African National Congress became increasingly militant, even using terrorist tactics that led to the government banning the ANC in 160.
After several decades, the end of apartheid was a slow one that began with the election of F.W. de Klerk as leader of the National Party and President of South Africa. De Klerk began to permit multiracial crowds to protest against apartheid and met with blacks leaders such as Bishop Desmond Tutu. Most importantly, he lifted the ban on the ANC and ordered the release of the imprisoned Nelson Mandela. By 1, the National Party and the ANC reached an agreement that pledged to institute a democratic South Africa. The ANC won political power in April of 14 during the first nonracial democratic election, with 6 percent of the vote. Under the ANC, Mandela repealed all apartheid legislation, while the South African parliament approved a new constitution in 16.
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