Gods must be crazy

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Gods Must Be Crazy

Gods Must Be Crazy is a movie that tries to twist real life situations into a "comedy". First off, I would like to state that it does a horrible job incorporating both of these. This movie had pieces of reality in it, but mainly it seemed to me, that it was trying to poke fun at the different cultures of the world. The main culture it was trying to turn into a comedy was the American Culture. Based on this early observation I had, I immediately lost interest and appreciation for this movie. I do not believe the humor referring to the American culture and ways was accurate or even funny. Now this movie did have some broad but accurate points in it as it refers to human geography.

This movie can relate to human geography in the aspect of the African culture that is so apparent throughout the movie. The language, family organization, economy, government, and religion discussed in this movie are accurate portrayals of what it is really like. These were the only things that related to human geography and were useful in gaining more knowledge. The clothing that these African people were depicted as wearing was accurate and told a lot about their culture. These wardrobes were so much different then anything I have seen, especially since they differ from my clothes. I thought their clothes were very unique and interesting. Obviously they can make use of all of their resources and provide themselves with the necessities of life and do not need money. Making use of their resources was also very intriguing to see. With everything that they can find, someone will be made out of it. For example, when the coke bottle was there, they used it for so many things. This is interesting primarily because we use it as something to drink out of and that is it. These people could and would use it for everything. They are obviously not as privileged as us and can make much better use of their resources. I know the way they spoke was suppose to be an attempt at a joke, but I believe they way they talked was accurate. Their language, which involves "clicks", is a beautiful language. I find it amazing that they can communicate like that, it all seems to sound the same to an outside person. Once again this was suppose to be a good laugh for the movie (which obviously failed), but in the end was an accurate representation of different languages, and show the differences in cultures around the world.

The biggest and most well done representation of something that relates to human geography is family organization, or they way the family interacts with each other. They all get along very well and seem to never fight. They share everything and work together to get things done and seem to be sufficient. They are always together and spend day and night with each other. This is remarkable because as an average American, I rarely spend time with my family. I am at school, my parents work, I play sports, I have homework, etc. I am constantly busy and rarely get to spend time with my family. This is in complete contrast to how the African families were portrayed in this movie. In the movie, it shows the families working together, no matter what the task.

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The last thing that may be accurate is how new technology, or advancements that are readily available in other locations, can really affect one's culture. This relates directly to the interaction of the people when the coke bottle is dropped on them. Before the existence of this coke (before it came in contact with the African people), the family worked so well together. After the emergence of the coke bottle, everyone now wanted to use it. Everyone felt as if it was a necessity. They are forgot how life was before the coke bottle came into their lives. This is what has occurred in the world. With the introduction of many things, arguments have risen, and bad things (as well as good) have come out of it. This was a large point of this movie, to make fun of how technologically advancements may be harmful to people's lives, families, and cultures.

This is a somewhat realistic view of the world today. It is way too exaggerated though. Some basic concepts are realistic, but it is mostly blown out of proportion. It is not a fantasy, but not absolutely realistic. Many of the ideas behind the movie were accurate and I discussed them earlier, but the total plot was not true or realistic. Many things were changed in order to try and make this movie funny, when in fact it did the opposite.

I do not know of any other movies, books, news articles, or anything else that would emphasize the same concepts. I have to say this was in a league of its own. The only other things that could discuss the same concepts are documentaries or National Geographic-type magazines. Only factual movies or magazines that involve the African culture relate to this movie.

I would never in my entire life recommend this movie to other students. The main reason for this is because it is very uninformative and if they were looking for something educational, they came to the wrong place. If they are going to study concepts that can relate to this movie, I am positive that they can find other sources which would be much more sufficient in gaining knowledge. This movie was not funny, was not very educational, and the concepts that might relate to human geography are minimal and not deeply interesting. I do not recommend this EPIC COMEDY.Please note that this sample paper on Gods must be crazy is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Gods must be crazy, we are here to assist you. Your persuasive essay on Gods must be crazy will be written from scratch, so you do not have to worry about its originality.

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Hypocrisy of Southern Christianity in the Narative of Frederick Douglas

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In Narrative of the Life of Frederick Douglass, an

American Slave, Douglass presents the reader with a

world in which Christianity and slavery walk hand in

hand; A Christian community in which the word master

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signifies the sole proprietary owner of another's

existence. A world in which it is deemed unchristian

for an oppressed man or woman to speak out on their

own behalf. A society in which God's gift of free will

is only enjoyed by the wealthy land owner who's

transgressions against his fellow man will not be

judged in the eyes of the Lord; in a land esteemed as

being the promise land of the hard working man.

Through this world, Douglass illustrates the hypocrisy

of the self proclaimed righteous Christian master and

opens the eyes of the reader to the true cost of

southern prosperity.

In his opening lines, Douglass addresses how the

institution of slavery narrows slaves opportunities

for self-knowledge. Slave owners withhold information

about slaves birth dates in order to keep them from

developing a unique sense of self. For what better way

to affirm ones authority than to deny another his

identity? How can slaves differentiate themselves as

being men when they "know how old they are no more

than horses do." Furthermore slaves were forbidden to

learn to read to gain what Douglass termed the "key to

freedom". This denying another of literacy is in fact

another hypocritical act on the part of the owners. It

was expected of the slaves to be Christian; but how

can one be a follower of the book, when one cannot

read the book. Those who could read the word, would

often manipulate it to their advantage and often cite

it while administering a beating or raping this

victims.

Likewise, Douglass explains how their masters do not

acknowledge family ties among slaves. Family

relationships would allow slaves to develop a unique

sense of self and would encourage alliances among

slaves, a serious threat to the slave owners hold on

power. Douglass also states that he believes his

father was his first master, Captain Anthony. Denying

slaves information about their parentage allows slave

owners to avoid taking parental responsibility for

their unchristian sexual exploitation of female

slaves. Masters often sold these children,

embarrassing evidence of adultery and fornication, two

sins harshly condemned by the Christian religion of

these supposedly pious slave owners. For those who

weren't sold, the masters made sure of their misery

through severe beatings, only adding to the evil. An

example of this is the horrific scene in which Andrew

crushes the head of Douglass' younger brother.

Although Douglass does not say so, it is possible that

Captain Anthony was also his brother's father. All of

this is done for no reason symbolizing the senseless

violence towards children of slavery. If children

weren't enough for the reader, Douglass also goes to

illustrate the sad death of his grandmother as she is

left alone in a shack in the depths of the forest even

after raising her master from infancy to the grave she

is left to die like an animal. The slaveholder's

attacks at family structure do not end there. Further

into the narrative, Douglass describes how he is sent

by the "reformed" Thomas Auld to Covey. Douglass uses

this to attack the hypocrisy of religious slave owners

in that both men are highly religious yet they are

unforgivably cruel. Covey, who is deeply religious,

had a married man impregnate his female slave. Besides

the obvious sin of treating another human being like a

piece of livestock, there is a greater sin of forcing

a man to violate his marriage vows.

Douglass includes a great example of how slavery is

the antithesis of Christianity as he portrays Sophia

Auld's transformation upon becoming a slave owner.

Sofia was a kind, affectionate woman and, at first,

treated Douglass like a human being, discouraging his

servility and educating him. When her husband informed

her that education would ruin Douglass as a slave, she

began to treat him like property. Consequently, she

loses her former kindness and generosity and is

reduced to being just another cruel owner. Through

this Douglass maintains that slavery corrupts the

slave owner's humanity just as it corrupts the

slave's.

For a society so preoccupied with Christian morals

and beliefs, one must ask how slave owners and their

sympathizers could allow such barbarity. Douglass

explains this by showing how slave owners must

constantly deny the humanity of their slaves in order

to justify their misdeeds. By "dealing with the

brutes" the owner himself is reduced to being the

brute, and as a result turns to becoming piously

religious in order to convince himself otherwise.

Because slaves were classified as inferior and not

quite human, the legal system judged them as less

credible than their masters. In the courts the

testimony of a black witness was never equal to that

of a white witness. The slave's law began and ended

with his oppressor. No beating was unfair or too

severe unless the master said so. No sexual activity

was rape unless the master said so. No killing was

murder unless the master said so. In the unlikely

event the ruling be in favor of the victim the crime

would be considered against property, not an equal

person. Such everyday affirmation of ones position in

society only goes to justify the means. Some slaves

were so brainwashed that they fight other masters

slaves over whose master is better. These absurdities

are a direct result of the slave owners control over

the slaves self-knowledge. Douglass narrative

testifies that no master is a good master, even if

some are less brutal than others. All of these are

attempts at separating the blacks while the white

oppressors, on the other hand, keep up a united front.

None of Douglass' white co-workers would testify on

his behalf after the white apprentices nearly beat him

to death. Even after such affirmations, sooner or

later the slaves would demand their freedom. For this

the masters use their evil to devise a genius idea in

which they grant slaves days off during religious

holidays only to drink and engage in nonchristian

disillusioning acts which in turn disgust the slaves

with the notion of freedom ultimately making them feel

better to return to work. It is this ungodly

manipulation and deception that the slave owners pride

themselves.

Chapter after chapter, Frederick Douglass' narrative

is a powerful testament to the barbarity and hypocrisy

of the supposedly Christian institution of slavery.

This narrative is beam of light in a dark time in

American history where two apparently contradictory

beliefs merge together to benefit the immoral profit

hungry band of thieves known as the upper class;

Twisted individuals who filter the word of God and

manipulate it in order to further their profits. For

there can be no justice when a society can use

Christianity to promote evil.

Please note that this sample paper on Hypocrisy of Southern Christianity in the Narative of Frederick Douglas is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Hypocrisy of Southern Christianity in the Narative of Frederick Douglas, we are here to assist you. Your cheap custom college paper on Hypocrisy of Southern Christianity in the Narative of Frederick Douglas will be written from scratch, so you do not have to worry about its originality.

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Macbeth - "This dead butcher and his fiend-like queen".

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"…this dead butcher and his fiend-like queen." (V. . 4)

To what extent is this a full and fair description of the two protagonists?

In this quote, Malcolm, refers to Macbeth as a "dead butcher" and to Lady Macbeth as Macbeth's "fiend like queen." In this instance, butcher is implied to mean one who kills; showing neither remorse nor reason for his actions. The fiend is depicted to mean that Lady Macbeth is a very evil and immoral person, capable of enchanting her victims into a false sense of security. As Macbeth's reign as king draws out, he may have shown a very insensitive attitude in the way that he murders many people. However, to say that he is butcher is not a fair description of him, as it does not represent his properties of nobility, courage and honour that he had at first displayed. The description of Lady Macbeth as a fiend is a more representable one. She is the one who induced the power of evilness into Macbeth's soul, allowing him to commit such a heinous act as killing his king, an act which he never would have committed prior to her coercing.

In the beginning, Macbeth is a powerful lord as Thane of Glamis with a prospering life being lived with his wife, Lady Macbeth. He is a noble and valiant soldier, not a butcher and he is quite capable of dying in battle to save his king. This property is one of his strongest, even supported by the acknowledgment that he receives for it his gaining of a new title as Thane of Cawdor. Following this event, Lady Macbeth receives a letter from her husband, informing her of his new title as well as the witches and their predictions. Although her blood may have been pure a time long ago, the Lady is not so now; she immediately develops a plan for the murder of Duncan so that her husband can become the new king. However, she notes that her plan is flawed because of Macbeth's worthy and kind nature. Macbeth may be able to slaughter his enemies on the battleground, but he shows great respect and kindness to his friends and especially his king. She knows that although he harbours great ambition, it will be difficult to convince him do such an act of murder and treason "Yet do I fear thy nature; It is too full o' th' milk of human kindness to catch the nearest way. Thou wouldst be great, Art not without ambition, but without the illness should attend it."(I. 5. 15-1).

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As said above, Lady Macbeth's fiend-like qualities first show through after she receives Macbeth's letter. She seems to have hatred towards the fact that she is a woman. She believes that the traditional role of the women as sensitive, caring and beautiful hold her back from what her mind is capable of doing, murder. In her famous soliloquy she says "Come, you spirits that tend on mortal thoughts, unsex me here and fill me, from the crown to the toe, top-full of direst cruelty." (I. 5. -4). She wishes to be liberated from her skin, the pale, soft yet powerless barrier which holds her back from the deeds she believes that must be done. Further on in her soliloquy she says "Make thick my blood, stop up th' access and passage to remorse…" (I. 5. 4-4). Not only does she want her barriers removed, but she also wishes for an end to her conscience and guilt; an end to her emotions and remorse. This is a combination which would then allow her to become more of a butcher than Macbeth ever became. Throughout the whole play, the Lady gives definition to the term fiend in countless and varied ways.

Macbeth is again seen to counter the image that has been drawn of him as a butcher prior to Duncan's murder as he contemplates the severity of his actions and whether he should continue or not. Macbeth says "First, I am his kinsman and his subject strong both against the deed…" (I. 7. 1-14) and argues against his murder of Duncan, he does not believe that is right for him to kill both his king and his cousin. Macbeth succeeds in persuading himself against the murder of Duncan, as seen when he says "I have no spur to prick the sides of my intent, but only vaulting ambition, which o'erleaps itself and falls on the other…" He compares his ambition to that of riding a horse, but then says that he has no purpose to leap too high on his horse as to kill his king, because he knows that he will only fall off. Clearly no butcher would stop to contemplate his actions before killing someone and a butcher would certainly not be able to stop themself, as butchery is an act that is done senselessly and without thought.

At this point in time, the Lady is seen to again exercise her powers over her husband. One of these powers is her knowledge of his weaknesses, and she uses this knowledge to finally change his constantly swaying opinion. She says "To be the same in thine own act and valour as thou art in desire? Wouldst thou have that which thou esteem'st the ornament of life, and live a coward in thine own esteem…" (I. 7. 40-4). In this statement she attacks Macbeth's honour and bravery as well as his vaulting ambition. Macbeth is told that he should be able to act as he thinks and he is called a coward for not doing so. It is very unlikely the Macbeth has ever been called a coward before and it is possible that this comment in itself would have the power to invoke Macbeth to do the terrible deed, to prove to her that his courage is still strong. However, the Lady's terrible intentions are not fully understood until she makes the following comment to reinforce her argument as to why Duncan should be killed "I would, while it (her baby) was smiling in my face, have plucked my nipple from his boneless gums and dashed the brains out, had I so sworn as you have done to this." (I. 7. 56-58). It is no human who says this but a person whom fiend does little to describe; what mother would ever cause such harm to their baby, even if they had sworn to do this?

Macbeth is not a butcher, and the lady is not just a fiend. As can be seen, although the quote does describe perhaps certain aspects of both their characters it is a very vague description and does not fully portray their characteristics. Macbeth is a brave man, led to his downfall because of his weaknesses and the unfortunate property of his wife to exploit them. A fiend is a more appropriate description of the Lady but it still fails to capture the true essence of her character as an extremely disturbed and evil person. It would be fair to say that the quote tries to summarise their characters in one short line but in the process makes them seem less dramatic and less complex than they really are.

Please note that this sample paper on Macbeth - "This dead butcher and his fiend-like queen". is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on Macbeth - "This dead butcher and his fiend-like queen"., we are here to assist you. Your cheap research papers on Macbeth - "This dead butcher and his fiend-like queen". will be written from scratch, so you do not have to worry about its originality.

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All Aboard

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All Aboard

I think that everyone in his or her life has thought about what it would be like to be Kate from Titanic, and fall in true love. Well, I know that I have and it actually came true.

Last year my family and I took a cruise to the Bahamas. When my parents booked the cruise I never thought the day would actually come that we would leave port. But when that day did it was the most incredible thing I have ever experienced.

I stepped out of the van and onto the sidewalk to unload our suitcases; I just stood there frozen like a statue in awe of the amazing ship. It was 2500 feet longer than the Titanic, stocked with plenty of lifeboats. The people scurried along the walkways to the building like ants to a picnic basket. The commotion of the people broke my train of thought and our family moved along with the rest of the "ants." While standing in line I thought to myself, "Will I find my one true love, my own real Jack?"

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"Come on Ashley," my mom yelled as we drug along in the line. I felt like we were snails in an Indy 500 race.

Finally we got to the front of the line and a nice cruise director checked our tickets and passports, and then showed us the way to get onto the magnificent ship. My sister and I had a room right next to our parents so we all dropped our things off and went to explore.

There were lights and people everywhere. There were people gambling, drinking, dancing, and dinning. I couldn't wait for the nightlife to come more alive, I couldn't wait till I got to go out and party!

The night slowly arrived and my sister and I changed clothing, freshened up and were on our way to the lido deck, which is the top deck of the ship where a lot of parties take place. People were still swimming in the pool and splashing around in the hot tubs, and there was "The Hairiest Man" contest going on in the middle platform, the winner received a full body massage.

"Meet me back here at 1:30am," whispered my sister. "Have fun and be careful if you need me I'll be at The Lounge."

I agreed and went along my way. I found myself at the rear of the ship. I went to the railing, but the sky was so dark it was almost like someone had put a paper bag over my head. There were a few stars out, but their light wasn't enough to see with. As I turned around there he was, just sitting on a bench writing a letter. I couldn't move, and neither could my eyes. They were glued to him like gravity. He looked over and waved, then he came over and introduced himself as Evan.

Evan was about 6'5" and was as skinny as the pen he was writing with; his accent was a strong Australian twang. His blond, short, curly hair set off his deep blue eyes. We sat and talked for hours, almost like we knew each other all our lives. When 1:30 came I was severely disappointed, I didn't want to leave, but I told Evan what level I was on and what room I was staying in. I said goodnight and he watched me as I walked across the slippery deck. I told my sister all about him, and she just smiled and said she was happy for me. "But Ashley," she says, "He'll be leaving in a few days!" I knew she was right, but I didn't want to bring myself to that tragic time when I was having the time of my life now!

I was awakened the next morning by a loud knock at the door and my sister drying her hair in the bathroom. I threw on a robe and opened the door, but it was only my parents making sure we were up. Not one second after I had closed the door, there was another knock.

"What do you want," I shouted as I flung open the door. But it wasn't my parents; it was Evan.

"Just thought you might like breakfast," he said in the most caring voice. "I hope you like pancakes and bacon," he asked.

I was speechless; the guy I had just met a few hours ago was bringing me breakfast in bed! We sat at the table and ate breakfast, but without warning my sister strolled out of the bathroom. She was dressed thankfully, but still shocked to see a total stranger sitting in our cabin.

"Hi, I'm Rebecca," she announced while shaking his hand. "You must be Evan."

Then Evan smiles and looks at me, "Nice to know I've been talked about," he exclaims. "Nice to meet you as well," he replied back.

I was so embarrassed I just slumped down into my chair. Rebecca left and Evan asked me if I would be his date to dinner the next evening. I was so excited I could have screamed, but I simply replied yes.

"Thank you for the breakfast Evan, but I need to join my family," I said. "I will talk to you this evening."

Evan excused himself and off he went. I ran across the hall to tell my parents and they were so happy for me. My sister on the other hand, was a bit jealous of the fact that her younger sister got a date before she did.

The day of my date was so busy. My mom was helping me get dressed and do my hair, while my sister at the same time was trying to put makeup on me. It was a crazy mess. At 6:00 p.m. sharp there was a knock at the door. My mom quickly answered and there stood a tall gentleman wearing a black tux with tails, and a rose in his hand.

"You must be Mrs. Johnson," Evan asked. "Nice to finally meet you."

My mom was very impressed and so was I. He looked awesome!

As we entered The Jubilee, which was the restaurant in the ship, our Madre D showed us to our table. Our first course was served very shortly after we received our drinks, followed by four other courses, which included a salad, our main dish, a fruit tray, another meat tray, and then dessert. After that meal I didn't think I could move, but Evan insisted on going dancing. As we entered the ballroom I didn't know what to expect, but there were a lot of people there and everyone was having a fantastic time. A huge variety of music from coast to coast was played while the young and old all danced the night away. As we left I decided that this was the most incredible night of my life, even though in a few hours it would all come to a close and I would have to say goodbye to Evan. My heart was hurting and my mind was boggled. I didn't know how to act, I was sad, but then I was so happy.

"What are you thinking of Ashley," questioned Evan?

"I don't want to say goodbye," I said with a tear rolling like a boulder down my cheeks.

"How about we put that aside and enjoy the time that we do have left, when that time comes we will deal with it, but for now be happy," replied Evan.

The rest of the week was all a blur. Evan and I had the greatest time, and it was almost impossible to say goodbye. The last night we were on the ship we went to a Las Vegas show in the theater. Lights were jumping all over the place and the music was surrounding us. The performers were extraordinary and the costumes were outstanding, but the word goodbye kept entering my mind and seemingly turning my smile upside down. Everything made it even harder to say goodbye. We promised to keep in touch, as everyone does, when he got back to Australia and I returned home to Missouri! But all in a few hours I was Kate from the Titanic. I lived my dream.Please note that this sample paper on All Aboard is for your review only. In order to eliminate any of the plagiarism issues, it is highly recommended that you do not use it for you own writing purposes. In case you experience difficulties with writing a well structured and accurately composed paper on All Aboard, we are here to assist you. Your persuasive essay on All Aboard will be written from scratch, so you do not have to worry about its originality.

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Describe how the scenes between Antonio and Delio demonstrate the plays inevitable tragic conclusion

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Antonio and Delio are stewards in the Malfi household who despite their low status play a very large role in the way the play progresses. From our first meeting with them we discern that they are basically decent men who are involved with the higher end of the society spectrum. Their many interludes serve to divulge information to the audience about their progress and the progress of the play.

Antonio and Delio operate as a team throughout most of the play even when they are geographically apart. Delio is Antonios friend who acts as counselor to a counselor. His relationship is a mirror image of Cariolas with the Duchess. They are both advisors the distinctive thing separating them is that Delio is more intelligent than Antonio but Cariola less than the Duchess.

We can believe the character of Delio as he is given a humanizing element a weakness. Delio attempts to seduce Julia into becoming his mistress but she skillfully fends him off saying Ill go ask my husband if I shall (.4.75). in his moment of weakness Webster makes Delio theatrically credible.

Throughout the plays progression Delio and Antonio meet several times and as the play progresses their meetings become more fearful and filled with panic. These meetings range from the joyous time of the Duchess giving birth to when Delio meets Antonio for the last time when he is dead in 5.5.

The play opens with Antonio and Delio as outsiders. As such they comment about the corruption rooted in the court, Is like a common fountain, and compare it with the purity and order found in the French court. From this opening meeting we are given an indicator of what is to come, something along the lines of corruption and we are not wrong as the next characters who appear on stage are the Cardinal and Bosola. They are in a bitter dialogue as Bosola has not been paid for killing someone the Cardinal wanted dead I have done you Better service than to be slighted thus. In Bosola we are introduced to epitome of anarchy, authority has always had most fear from those who not only have nothing to gain from it, but also nothing to lose from it. Life without means comes to mean nothing .This one little meeting between Antonio and Delio reveal that this society of nobles and Churchmen is actually as suspected quite corrupt and deceitful. Indeed Antonio informs us that we are being informed of what to expect in the last line before Bosola and the Cardinal enter It is a noble duty to inform them What they ought to forsee. It is as if he is saying that we will be informed of everything before it happens so that we will not miss a thing and revel in the actors descent into tragedy.

Delios weakness is clear to see in .4. Julia is in bed with the Cardinal when she is informed that Delio is here. Delio arrives and she is just out of the Cardinals arms. Seeing her dressed for bed re-inflames old passion as Delio was her former lover. He attempts to win her over by making fun of her husband and he demeans himself by comparing her to an object of quantifiable worth I never knew man and beast, of a horse and a knight, So weary of each other. Comparing her to a horse is hardly going to win him any favours.

In .1 we can really see that things are starting to get a little rough for everybody. Delio returns to Malfi and him and Antonio have a good old gossip, He learns of Antonios growing family which is now made up of three children. A sense of time is created as there must have been at least an eighteen months must have past. However Antonio expresses a fear that we attribute to him, he is worried that Ferdinand has been a bit to quiet around the house He is so quiet that he seems to sleep, The tempest out as dormice do in winter, Those houses that are haunted are most still Till the devil be up. From this we learn a great deal. First is that Antonio is really starting to worry and he fears that Ferdinand is going to do something. Secondly we learn that Ferdinand is quite a violent character and a temperet one at that. It is like the calm before the storm, like the dormice Ferdinand is hibernating, waiting for the right moment to unleash the his anger those houses..aremost still till the devil be up. This tells us that there is going to be an almighty uproar when Ferdinand acts and as such the audience is given insight into the upcoming events of the play. This is quite a contrast to the beginning of the meeting where they are joyously talking about the Duchess given birth to fine children Shes an excellent feeder of pedigrees

5.1 clearly shows to all concerned that things are heading for a gloomy and tragic end. Antonio and Delio arrive in Milan ahead of Bosola in hope of achieving some sort of reconciliation with the two brothers. From ensues it is clear to see that although Delio and Antonio are best friends Delio is clearly the more intelligent of the two. Delio is more realistic about the present situation, he says to his friend that he is in danger I cannot think they mean well to your life/that they do deprive you of your means of life, without his land Antonio has no means of support. Antonio may have been a good counselor, but he has proved a flawed husband. His reactions under pressure are suspect. On the other hand Delio remains cool and collected asking Pescara to grant Antonio refuge in his lands but he refuses. Antonio comes up with the crappest ( Mr S Sumner 1/4/0) plan in the history of planningdom. However Delio being the good fellow that he is supports Antonio is his decision to make one last final gesture towards the Cardinal. From this meeting we are informed of events which have unfolded outside of the play such as the brothers giving away Antonios land, such events like these add depth and interaction from other characters who are not present on stage but yet can still influence the play from afar.

The touching and last scene where we see Antonio and Delio meet for the last time is 5.5. Bosola arrives with Antonios dead body. What ensues is the quickest and bloodiest killing that Ive read, all the main characters in the play now all die by killing each other. Delio appears on stage with Antonios son as heir and the play ends there.

Delio has managed to survive the whole play without so much as a threat of death or imprisonment and emerges as regent duke at the end of it all. Does Delio in fact fail Antonio?

He is, I think, not only a less than admirable best friend but also a failure he fails to seduce Julia or to importune Pescara and he is not there when his friend needs him, when Antonio is killed by Bosola. I think he is a bit of a fair weather friend and he is much too much of a courtier who is concerned with rank and somewhat under-concerned about his friend or her spouse.

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Emma

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EMMA

By Jane Austin

Jane Austens Emma is a novel of courtship. The main character, Emma Woodhouse, is a heiress that lives with her widowed father at their estate, Hartfield. At the beginning of the novel, she is a self-satisfied twenty-one year old woman who feels no need to get married. In the beginning of the novel, Emmas governess, Miss Taylor, has just married Mr. Weston, a wealthy man who owns Randalls, a nearby estate. When Mr. Westons previous wife died, he sent their only child, Frank Churchill, to be raised by her brother and his wife. It seems as though Mr. Weston could not at that time provide for Frank.

Without Miss Taylor as a companion, Emma adopts the orphan Harriet Smith as a friend that she wants to play the same role in Harriet's life that Miss Taylor played in hers. Harriet lives at a nearby boarding school where she was raised, and knows nothing about her parents. Emma advises Harriet on everything she can, including the people she interacts with. Robert Martin is the son of a family of farmers that finds interest in Harriet, but Emma discourages her from pursuing any type of relationship. Instead, Emma plans to play matchmaker for Harriet and Mr. Elton, a member of the church in Highbury. Emma seems to have some success in her attempts to bring Harriet Smith and Mr. Elton together. The three spend a lot of leisure time together and he seems receptive to all of Emmas suggestions.

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Robert Martin then proposes to Harriet, but after listing to Emma's advice, she chooses not to accept his offer for marriage. Emma made her feel as thought Robert was too 'common'. Mr. Knightly get angry at Emmas matchmaking, since he thinks that the Robert is perfect for Harriet.

The Westons hold a party on Christmas Eve for the members of Highbury society. Harriet Smith, however, becomes sick, and cannot attend. During the party, Mr. Elton focuses his attention solely on Emma. He does not act at all concerned that Harriet is sick. He seems to care only about being by Emma's side. When they leave the party and ride home by carriage from the party, Mr. Elton professes his love and admiration for Emma, and dismisses the idea that he would ever marry Harriet Smith. He said he feels she is too common for him. Mr. Elton obviously intends to move up in society, and is interested in Emma primarily for her social status and wealth. Emma is not happy about this encounter and quickly rejects him saying that his intentions were to get him close to Harriet, but herself. Shortly after Emma rejects Mr. Elton, he leaves Highbury for a stay in Bath. Emma breaks the bad news to Harriet Smith as well as telling her that he was interested in getting closer to Emma, not Harriet.

At the same time, Frank Churchill is in town has not yet visited his father and his new wife at Randalls, which has caused some concern. Emma, without having met him yet, decides that he must be a good suitor for her, since he is the right age and is of the same social status that she is. Another character who occupies Emmas thoughts is Jane Fairfax. She is the granddaughter of Mrs. Bates, a poor widow. Jane is the same as Emma in every except for status and this makes Emma a bit jealous. There is some thought that Jane might be involved with Mr. Dixon, a married man, but this is only gossip. Mr. Elton returns from Bath with news that he is engaged to a Miss Augusta Hawkins. This news saddens Harriet Smith.

Frank Churchill finally visits the Westons, and Emma is pleased to find that he lives up to her expectations, although Mr. Knightly does not think much of him. Emma and Frank begin to spend time together, but he acts a bit immature. As Frank and Emma spend more time together, Mr. Knightly becomes somewhat jealous, but Emma also becomes jealous because she suspects that Mr. Knightly might be in love with her rival Jane Fairfax. Frank quickly leaves the Randalls when he learns that his aunt is sick. Thinking that Frank was ready to profess his love to her, she convinces herself that she is in love with Frank as well, but is not sure how to tell that she actually does love him. But then she realizes that she must not be in love with him, because she is as happy with him gone as she is with him there

Mr. Elton brings his new wife back to Highbury. She is a gossip that compares everything and everyone to her supposive great lifestyle of her family and relatives. She also lacks formality and can seem obnoxious. Emma realizes immediately that she does not like her, and once Mrs. Elston catches on to this she as well dislikes Emma in return.

When Frank Churchill returns to Highbury, he and Emma sponsor a ball at the Crown Inn. During this ball, Mr. Elton rudely ignores Harriet Smith, but she is saved from Mr. Elton's snub by Mr. Knightly, who dances with her. After the ball, when Harriet and Emma are walking home, they are assaulted by a group of bums that try to take Harriet's purse away from her. Frank appears and saves her from the men and this incident becomes the gossip in Highbury. This leads Emma to believe that Frank Churchill would be a good match for Harriet. The next day when talking to Emma about what happened, she does say she has some feelings for Frank and this helps take her mind off of Mr. Elston.

At an outing at Box Hill, Frank Churchill, thinks of a game to play to entertain Emma. During this game Emma insults Ms. Bates and Mr. knightly gets very angry at her for hurting her feelings when she should actually pity her. Emma goes the next day to apologize.

Meanwhile, Mrs. Churchill, Franks aunt, passes away. Because she is so overbearing there are things that Frank needed to keep secret from her. One of these secrets is that he is secretly engaged to Jane Fairfax. Emma for the second time will have to break Harriet's heart. However, when she does tell her the news about Frank and Jane, Emma surprisingly finds out that she did not have interest in Frank, but in Mr. Knightly. Ever since he saved her from Mr. Elston at the ball she has been fond of him. Emma then realizes that she herself loves Mr. Knightly and should be the one with him but it was Emma that made Harriet think that she could be with such a high social status.

Mr. Knightly soon after professes his love for Emma and they plan on getting married, but there are a few issues. First, if Emma gets married she would have to leave her father and she does not want to do that. Second, she needs to tell Harried about her new love that happens to be Harriet's love interest as well. Well, Mr. Knightly decides that when they get married he will move to Highbury because he understands that Mr. Woodhouse can not be left alone and should not have to move. This makes Emma very happy. Harriet takes the news of Emma and Mr. Knightly well because she happened to run into Robert Martin and she realized that she does not have to have high aspirations and she becomes engaged to Robert who seems to be the most appropriate suitor for Harriet.

The novel ends with many happy marriages. Robert Martin and Harriet Smith, Frank Churchill and Jane Fairfax, and Mr. Knightly and Emma Woodhouse, who has grown to accept that she can give up some of her independence to be with a husband.

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Music is a reflection of society, and will always evolve as society does. Composers have always sought to push the bounds of conventional harmony, and tonality, as a way of further expressing themselves. Composers such as Schopan, Strauss, Berg, Busconi, Stravinsky, Debussy, and others, all attempted to create something new, and exciting whether they used a traditional framework or not. They all attempt to further the musical concepts of the time; it is this concept of art for art's sake that is fundamental to understanding the importance of these contributions. These composers were no longer concerned with the audience, they no longer cared about the audience, they moved away from creating music for someone else and decided to create music solely for themselves. This is the probably the most important basic development that occurred during this period of 180-10. Along this same line, the actual musical technique evolved at this time, and will be important to observe. Likewise, we will examine the social changes occurring at the time, and see how the changing society influenced the composers and music of the time.

We should beginning this discussion with a brief description of how the technical methods that the composers utilized at this time evolved from what had previously occurred. The move from a rigidly structured music to one of dissonance and atonality was bound to occur. It was in essence inevitable. In further evolving music it was necessary to attempt something new, something that hadn't been tried before. This is the reason for dissonance and atonality; it was creating something new out of a concept that hadn't been explored before. "Chords containing non-harmonic tones must be incorporated into harmonic theory and recognized as valid musical materials. Non harmonic tones form chords, hence they are not non-harmonic; the musical phenomenon they help to create are harmonies, as is everything that sounds simultaneously. " Therefore we see a marked break in what composers had been doing prior to this period. Music was conceived of in very rigid terms. There were rules that had to be followed, as this was the traditional sense of music. A return to the tonic was expected, the musical plot was always returned too. The opera or musical piece was always a simple package for the audience to understand. It was expressed in very simple terms, expectation, and routine would be the best terms to describe the music and the experience at this particular time. The composers such as Stravinsky realized the importance of dissonance. They realized that it only enhanced the musical experience. They realized that dissonance was not an evil of music but rather another character to explore and add to the story. They attempted to create something new by using new theories in accordance with some of the traditional rules. For example they "preserved a fixed order within the presentation of a harmonic unit. " Therefore they didn't seek to make something completely new, but rather evolve some of the traditional aspects of harmony and dissonance, to further express themselves artistically. By furthering the practice of serialism, we certainly see how basic rules of harmony and tonality were followed but how the evolution of tone allowed for the creation of the retrograde, and the inversion, all of which gave composers more freedom of expression. It seems as if this is a pervading societal phenomenon as well.

We should go back to the quote from the book written by Schoenberg on the function of harmony as it provides the perfect segue to the more fundamentally important part of this essay. We should examine the societal implications of what was occurring at this time. This book, was written in 1, it is therefore important that we understanding what society was going through at this time, and how this is important to the understanding of technical achievements within music. The Roaring 0's was time in American history of great investment in the economy and the pervading sentiment however wrong was one of prosper. Generally when the economy is doing well, and people are able to spend more money, they generally have more time to focus there time on other things. Nothing was different for musicians, we see around the turn of the century, composers moving away from the traditional way of creating music. They no longer relied on the aristocracy for patronage rather they were able to teach, or make money through the creation of their music, they no longer needed to create music that was mundane and ordinary. They began to have the freedom to explore other avenues of music. This is certainly a reflection of the period of time we are studying. The 0's in particular were an important time for people to push boundaries. There was a brief sexual revolution; it was certainly a time when many were trying to push boundaries of normal societal action. So the music created at this time was created out of an important concept that was buttressed by the pervading social atmosphere. Composers no longer cared if everyone liked what they created, but they realized it was important to create because it was new. Much like society had shrugged off its Puritanical history, musicians too had evolved. They no longer were tied down to those who really cared nothing for their achievements. As Debussy writes in his "Conversations With M. Croche" "They [the audience] never grasp the noble dramas woven into the symphonic conflict in which one is conscious of the possibility of reaching the summit of the structure of harmony and the breathing there an atmosphere of perfect beauty. " Composers at this time knew that they were on the cusp of something incredible. They knew that by pushing the bounds of convention that they were affording themselves far more freedom of expression.

The technical side of music although fundamentally important to the full understanding of music, is certainly not what I feel as the most important aspect. An attempt was made here to show how Music reflects society and how the music at this time was pushing convention and was looking to break away from the ordinary from the mundane, and truly be something amazing, it is this point that drives this essay. The point of art for art's sake is truly an important idea that needs to be explored by artists. This concept allows them to push boundaries, and although some of the pieces we have listened to in class is more radical than others, it is the affect they have on the music that in the middle that is most important. Regardless of whether it is too far left, or too far right, by pushing the conventional boundary one makes way for the unconventional to become the standard by which to judge the conventional. To draw a parallel to government, the objective of the third party in American politics is not to win every election, because it realistically would not happen, but rather more importantly the object of the third party is to bring their issues into the American spotlight, by doing so they force the two major parties to debate the issues of the third party. Music in essence does the same thing, when musicians or composers create something entirely new the effect on the music in the middle is what is most important.

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