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Film language that is applied in the dying moments of a film is used to create different, particular, important meanings for an audience. The two films, Romeo and Juliet, one directed by Franco Zeffirelli and the other by Baz Luhrmann, show that even though the same words are being spoken, the different film language used in the closure can have a huge effect on the meaning that the director leaves the audience with.
The film directed by Franco Zeffirelli was made in 168. It was set in the actual time of Romeo and Juliet and this is easily recognised by the clothes that the characters are wearing. It is also shown in the type of city that it is set in as it appears old-fashioned and the buildings also reflect the time. The two families who are in feud, the Montagues and the Capulets, are portrayed as respectable, well off families who even appear to have some royalty. Although the families are in feud there is quite a peaceful tone to the film. The city of Verona appears to be mostly quiet and these families are the disruption to the peace of the streets.
The visual elements play a major part towards creating meaning in the last moments of this film. The first vision that is shown is after the prince has spoken to all the people. It is at a high camera angle of the crowd of people, in the point of view of the prince. This shows the power that he owns over all of them as he looks down on them in anger and pity. The camera then moves into a pan across the crowd showing people crying, with their heads bowed in sadness and in prayer. This is used as a symbolic code symbolizing the humility and shame and also the reflection on the speech from the prince. Following this is a shot of Romeo and Juliet as their bodies are put to rest together in love and death.
After this the camera changes to a low camera angle as the members of both families come together, showing gestures of love and forgiveness towards each other. After nodding, shaking hands, hugging or acknowledging each other they walk towards the camera in pairs. The camera is at a low angle, showing that there is more respect for them now that they have made up. The two fathers come first, followed by the two mothers and then all the relatives and friends. The last person to walk up to the camera is the priest and he carries a cross that acts as another symbol of love. After he has gone there is a shot of the wall of Verona which is where the film began. The wall is backed by a red early morning sky giving the message to the audience that today is the start of new things, yesterday we fought but yesterday has gone so lets move on. A frame then appears around the screen representing this as a story and something to remember for it's meaning and strong message of love.
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Sound effects and music are also used to portray specific meanings in the last moments of a film. After the speech from the prince there is a long silence from the crowd where only wind whistling in the background can be heard. The silence is used for reflection from the crowd and from the audience and is a sign of respect and prayerfulness towards the deceased. The love theme begins playing as the families start walking towards the camera showing the love being shared. After this shot is finished there is a blackout but the music continues to play while there is still only a black screen. This shows that love goes on forever even when nothing is happening, love is eternal.
The version of Romeo and Juliet directed by Baz Luhrmann was made in 16. This film was made to suit a modern audience as it is set in a society that an audience today would be able to relate to. It is set in a city full of constant violence and hate in modern times. The two families are well known in the city but are really just another scene of violence. The film has been constructed in this hateful way in order to rise the issue of the need for love and respect in today's society.
Many visual elements are important in the dying moments of this film towards conveying meaning. The first shot seen in this section is that of the policeman as the camera follows him as he strides angrily around before the crowd. This shot continues for quite a long duration, which makes the audience realize that he is in control. There are then individual shots of each father and although they both have their heads bowed there is no shot of them together, or any signs from either of forgiveness or love. Following these there is a shot of the bodies on the hospital beds being put in to the ambulance and the screen changes to make it look as though it is a television screen. The last shot is an overhead of the crime scene as the ambulances leave. The audience is therefore left with the scene and thoughts of violence and death. In these last shots Baz Luhrmann has chosen not to show forgiveness but emphasize violence.
A TV screen appears to represent the fact that this is just another media story that means nothing. In the screen there is a ring, which symbolizes the love of Romeo and Juliet, but even though there is their love, society continues to grow in hate and violence around them. The screen slowly fades to the background and disappears to represent the closure of the story and the end of their love. The black screen shows the nothingness that has come from the story as nothing has been resolved and the sadness will continue as the violence continues.
The sounds and music heard in the last parts of this film also hold a lot of meaning for the audience. After the policeman has said his speech there is quite along silence which invites the crowd and the audience to reflect upon what he has just said. After the lady has finished speaking in the shot of the small TV it begins to move backwards and there is silence and a black screen. This represents the nothingness, because nothing has been resolved from these conflicts. It is also a reflection time and a time of sadness. After this silence a sad, mournful, lonely, depressing song begins. As the song progresses the singers voice develops into a more urgent sound, again representing hate, violence and sadness. The music then changes into another song called 'I'm kissing you' and although this tune is still saddening it sounds more like love.
The two films are good examples of the ways that film codes are used to create strongly different meanings. From the same words the directors have been successful in conveying their own meaning through different technical, symbolic and audio codes and have produced films that end in a considerably different way. After watching these two different films an audience is left confused as to how the original writer of this play would have intended the film to end.
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