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"After the Dinner Party" initially presents the reader with two characters, sitting in silence, after a dinner party has left them entangled in loneliness and reflection. Although the party is over, the two hostesses can still hear the laughter and philosophy that the night was so rich with. As the night grows older and the "last logs, sag and wink" (line 5), the reader is ultimately left with a better understanding of the poems theme the promise of life, the despair of death, and the fine line in between the two.
Throughout the poem there are leitmotifs and words used frequently to stress the poems general feeling of demise. After the dinner party the two hosts' "sit at the table late, each, now and then/Twirling a near-empty wine glass to watch the last red liquid climb [italics mine]"(lines 1-). The poems first two stanzas recurrently use words like late and last, words that initially give the poem a grim and hopeless feel. This feeling is used to parallel not only the time of night, but also the emptiness of old age and the inconceivable prospect of death. In this awkward post party silence, "Liquid climb(s) up the crystalline spin to the last moment when/ Centrifugality fails with nothing now said,"(Lines 4-5) because as the true weight of silence asserts itself, the reflection becomes increasingly intense for the two sitting at the empty dinner table. The slowly burning fire logs are an important reoccurring symbol used to parallel the progression of the night and of the slow and rhythmic path of death. In line five, the logs "sag and wink"(line 5), and although they are still burning, their structure becomes weak. In line 18, only "the crumble of ash is audible"(line 18), and at this point in the poem, the two subjects are slowly progressing towards the stairs. The party's excitement that was lingering in the air is slowly making its way out and only the slowly dying remains are perceptible. Line twenty-three contains black logs, and the ash that is beneath the logs "displays/No last glow" (line ). The echo of laughter has become silent, not only in the house, but in the hostesses minds. Life leaves the living with memories and as the living grow older, like the subjects of the poem, a struggle to feel the fire in this excitement can become a difficult and depressing battle.
The poem not only reflects on those slowly approaching death, it also reflects on those already dead themselves, as the hosts' "think/Of others who never again can come to partake"(lines 7-8). Unlike the hosts' in the poem who are having current feelings of despair and loneliness, there are those who never again will be able to partake in a dinner party or any other fulfilling aspect of life, but are left when they die, with the same feelings of happiness and laughter that were celebrated in this nights party. One of the guests has "quoted a killing phrase we owe/To a lost one whose grin, in eternal atrophy/Now in dark celebrates some last unworded jest none can know."(10-1). Without company or the crackle of fire, the dead are forced to celebrate the happy lives that they still remember, but can never return to. The placement of this section, emphasizing those already dead, is important because it is integrated into the poem directly after the subjects of the poem are struggling with accepting the prospect of death. Essentially their fears have been confirmed, as this section of the poem reveals the thin line between life and death and the pain that is suffered by the dead because of the impossibility to transcend that line, and return to the party that they have eternally left.
The sixth stanza of the poem produces a shift in the tone. The previous stanza's dealt with those absent because of their deaths. The following stanza's deal with absence yet again, but the more comforting absence of "children, whose bright gaze/Over-arches the future's horizon, in the midst of your prayers."(Lines 1-) This line is essential in its placement and message. It overtly confirms the poems theme that there is a thin line between life and death because the children's bright gaze is not directed in everlasting uncertainty; it overarches the futures horizons in the mist of the subjects' prayers. Although death is rapidly approaching the subjects of the poem, the brightness of childhood still glistens in their prayers that are engulfed in by the darkness of death.
Towards the end of the night, the two subjects of the poem had been through a contemplative journey that had produced a more thorough understanding of life and death. On their way up the stairs both subjects experience a "briefness of light", and "then the true weight of darkness" (Line 6). Now that these two old beings have seen "the light", darkness acquires a new meaning in which, because there is no beginning or end to fear, "neither joy nor sorrow counts"(Line 8).
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